Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
on her through her shutters. Such gossip was the joy of the family when
they met at supper. Christophe would listen absently. He was so used to
hearing the Vogels set themselves up as censors of their neighbors that he
never took any notice of it. Besides he knew nothing of Frau Sabine except
her bare neck and arms, and though they were pleasing enough, they did not
justify his coming to a definite opinion about her. However, he was
conscious; of a kindly feeling towards her: and in a contradictory spirit
he was especially grateful to her for displeasing Frau Vogel.
* * * * *
After dinner in the evening when it was very hot it was impossible to stay
in the stifling yard, where the sun shone the whole afternoon. The only
place in the house where it was possible to breathe was the rooms looking
into the street, Euler and his son-in-law used sometimes to go and sit on
the doorstep with Louisa. Frau Vogel and Rosa would only appear for a
moment: they were kept by their housework: Frau Vogel took a pride in
showing that she had no time for dawdling: and she used to say, loudly
enough to be overheard, that all the people sitting there and yawning on
their doorsteps, without doing a stitch of work, got on her nerves. As she
could not--(to her sorrow)--compel them to work, she would pretend not to
see them, and would go in and work furiously. Rosa thought she must do
likewise. Euler and Vogel would discover draughts everywhere, and fearful
of catching cold, would go up to their rooms: they used to go to bed early,
and would have thought themselves ruined had they changed the least of
their habits. After nine o'clock only Louisa and Christophe would be left.
Louisa spent the day in her room: and, In the evening, Christophe used to
take pains to be with her, whenever he could, to make her take the air. If
she were left alone she would never go out: the noise of the street
frightened her. Children were always chasing each other with shrill cries.
All the dogs of the neighborhood took it up and barked. The sound of a
piano came up, a little farther off a clarinet, and in the next street a
cornet à piston. Voices chattered. People came and went and stood in groups
in front of their houses. Louisa would have lost her head if she had been
left alone in all the uproar. But when her son was with her it gave her
pleasure. The noise would gradually die down. The children and the dogs
would go to bed first. The groups of people would break up. The air would
become more pure. Silence would descend upon the street. Louisa would tell
in her thin voice the little scraps of news that she had heard from Amalia
or Rosa. She was not greatly interested in them. But she never knew what to
talk about to her son, and she felt the need of keeping in touch with him,
of saying something to him. And Christophe, who felt her need, would
pretend to be interested in everything she said: but he did not listen. He
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