Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
She was like a little Florentine figure. Her well marked eyebrows were
arched: her gray eyes were half open behind the curtain of her lashes. The
lower eyelid was a little swollen, with a little crease below it. Her
little, finely drawn nose turned up slightly at the end. Another little
curve lay between it and her upper lip, which curled up above her half-open
mouth, pouting in a weary smile. Her lower lip was a little thick: the
lower part of her face was rounded, and had the serious expression of the
little virgins of Filippo Lippi. Her complexion was a little muddy, her
hair was light brown, always untidy, and done up in a slovenly chignon. She
was slight of figure, small-boned. And her movements were lazy. Dressed
carelessly--a gaping bodice, buttons missing, ugly, worn shoes, always
looking a little slovenly--she charmed by her grace and youth, her
gentleness, her instinctively coaxing ways. When she appeared to take the
air at the door of her shop, the young men who passed used to look at her
with pleasure: and although she did not bother about them, she noticed it
none the less. Always then she wore that grateful and glad expression which
is in the eyes of all women when they know that they have been seen with
sympathetic eyes. It seemed to say:
"Thank you!... Again! Look at me again!" But though it gave her pleasure to
please, her indifference would never let her make the smallest effort to
please.
She was an object of scandal to the Euler-Vogels. Everything about her
offended them: her indolence, the untidiness of her house, the carelessness
of her dress, her polite indifference to their remarks, her perpetual
smile, the impertinent serenity with which she had accepted her husband's
death, her child's illnesses, her straitened circumstances, the great and
annoyances of her daily life, while nothing could change one jot of her
favorite habits, or her eternal longing,--everything about her offended
them: and the worst of all was that, as she was, she did give pleasure.
Frau Vogel could not forgive her that. It was almost as though Sabine did
it on purpose, on purpose, ironically, to set at naught by her conduct the
great traditions, the true principles, the savorless duty, the pleasureless
labor, the restlessness, the noise, the quarrels, the mooning ways, the
healthy pessimism which was the motive power of the Euler family, as it is
that of all respectable persons, and made their life a foretaste of
purgatory. That a woman who did nothing but dawdle about all the blessed
day should take upon herself to defy them with her calm insolence, while
they bore their suffering in silence like galley-slaves,--and that people
should approve of her into the bargain--that was beyond the limit, that was
enough to turn you against respectability!... Fortunately, thank God, there
were still a few sensible people left in the world. Frau Vogel consoled
herself with them. They exchanged remarks about the little widow, and spied
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account