Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Melchior refused to take notice of it; he did not spend one
penny the less on his toilet or his pleasures.
He was not a bad man, but a half-good man, which is perhaps worse--weak,
without spring, without moral strength, but for the rest, in his own
opinion, a good father, a good son, a good husband, a good man--and perhaps
he was good, if to be so it is enough to possess an easy kindness, which
is quickly touched, and that animal affection by which a man loves his kin
as a part of himself. It cannot even be said that he was very egoistic; he
had not personality enough for that. He was nothing. They are a terrible
thing in life, these people who are nothing. Like a dead weight thrown into
the air, they fall, and must fall; and in their fall they drag with them
everything that they have.
It was when the situation of his family had reached its most difficult
point, that little Jean-Christophe began to understand what was going on
about him.
He was no longer the only child. Melchior gave his wife a child every year,
without troubling to think what was to become of it later. Two had died
young; two others were three and four years old. Melchior never bothered
about them. Louisa, when she had to go out, left them with Jean-Christophe,
now six years old.
The charge cost Jean-Christophe something, for he had to sacrifice to his
duty his splendid afternoons in the fields. But he was proud of being
treated as a man, and gravely fulfilled his task. He amused the children as
best he could by showing them his games, and he set himself to talk to them
as he had heard his mother talking to the baby. Or he would carry them in
his arms, one after another, as he had seen her do; he bent under their
weight, and clenched his teeth, and with all his strength clutched his
little brother to his breast, so as to prevent his falling. The children
always wanted to be carried--they were never tired of it; and when
Jean-Christophe could do no more, they wept without ceasing. They made him
very unhappy, and he was often troubled about them. They were very dirty,
and needed maternal attentions. Jean-Christophe did not know what to do.
They took advantage of him. Sometimes he wanted to slap them, but he
thought, "They are little; they do not know," and, magnanimously, he let
them pinch him, and beat him, and tease him. Ernest used to howl for
nothing; he used to stamp his feet and roll about in a passion; he was a
nervous child, and Louisa had bidden Jean-Christophe not to oppose his
whims. As for Rodolphe, he was as malicious as a monkey; he always took
advantage of Jean-Christophe having Ernest in his arms, to play all sorts
of silly pranks behind his back; he used to break toys, spill water, dirty
his frock, and knock the plates over as he rummaged in the cupboard.
And when Louisa returned, instead of praising Jean-Christophe, she used to
say to him, without scolding him, but with an injured air, as she saw the
havoc; "My poor child, you are not very clever!"
Public-domain text, read in full here on John Shaqi.
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