Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
In the kitchen he came upon a number of other servants, who greeted him
with noisy exclamations. At the back, near the stove, his mother smiled at
him with tender embarrassment. He ran to her, and clung to her skirts. She
was wearing a white apron, and holding a wooden spoon. She made him more
unhappy by trying to raise his chin so as to look in his face, and to make
him hold out his hand to everybody there and say good-day to them. He would
not; he turned to the wall and hid his face in his arms. Then gradually he
gained courage, and peeped out of his hiding-place with merry bright eyes,
which hid again every time any one looked at him. He stole looks at the
people there. His mother looked busy and important, and he did not know her
like that; she went from one saucepan to another, tasting, giving advice,
in a sure voice explaining recipes, and the cook of the house listened
respectfully. The boy's heart swelled with pride as he saw how much his
mother was appreciated, and the great part that she played in this splendid
room, adorned with magnificent objects of gold and silver.
Suddenly conversation ceased. The door opened. A lady entered with a
rustling of the stuffs she was wearing. She cast a suspicious look about
her. She was no longer young, and yet she was wearing a light dress with
wide sleeves. She caught up her dress in her hand, so as not to brush
against anything. It did not prevent her going to the stove and looking
at the dishes, and even tasting them. When she raised her hand a little,
her sleeve fell back, and her arm was bare to the elbow. Jean-Christophe
thought this ugly and improper. How dryly and abruptly she spoke to Louisa!
And how humbly Louisa replied! Jean-Christophe hated it. He hid away in his
corner, so as not to be observed, but it was no use. The lady asked who the
little boy might be. Louisa fetched him and presented him; she held his
hands to prevent his hiding his face. And, though he wanted to break away
and flee, Jean-Christophe felt instinctively that this time he must not
resist. The lady looked at the boy's scared face, and at first she gave him
a kindly, motherly smile. But then she resumed her patronizing air, and
asked him about his behavior, and his piety, and put questions to him, to
which he did not reply. She looked to see how his clothes fitted him, and
Louisa eagerly declared that they were magnificent. She pulled down his
waistcoat to remove the creases. Jean-Christophe wanted to cry, it fitted
so tightly. He did not understand why his mother was giving thanks.
The lady took him by the hand and said that she would take him to her own
children. Jean-Christophe cast a look of despair at his mother; but she
smiled at the mistress so eagerly that he saw that there was nothing to
hope for from her, and he followed his guide like a sheep that is led to
the slaughter.
Public-domain text, read in full here on John Shaqi.
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