Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
* * * * *
At last languidly he throws out his line. Leaning out over the lapping
water he follows it with his eyes until it disappears. After a few moments
of torpor he draws it in slowly: as he draws it in it becomes heavier: just
as he is about to fish it out of the water he stops to take breath. He
knows that he has his prey: he does not know what it is: he prolongs the
pleasure of expectancy.
At last he makes up his mind: fish with gleaming, many-colored scales
appear from the water: they writhe like a nest of snakes. He looks at them
curiously, he stirs them with his finger: but hardly has he drawn them from
the water than their colors fade and they slip between his fingers. He
throws them back into the water and begins to fish for others. He is more
eager to see one after another all the dreams stirring in him than to catch
at any one of them: they all seem more beautiful to him when they are
freely swimming in the transparent lake....
He caught all kinds of them, each more extravagant than the last. Ideas had
been heaped up in him for months and he had not drawn upon them, so that he
was bursting with riches. But it was all higgledy-piggledy: his mind was
a Babel, an old Jew's curiosity shop in which there were piled up in the
one room rare treasures, precious stuffs, scrap-iron, and rags. He could
not distinguish their values: everything amused him. There were thrilling
chords, colors which rang like bells, harmonies which buzzed like bees,
melodies smiling like lovers' lips. There were visions of the country,
faces, passions, souls, characters, literary ideas, metaphysical ideas.
There were great projects, vast and impossible, tetralogies, decalogies,
pretending to depict everything in music, covering whole worlds. And, most
often there were obscure, flashing sensations, called forth by a trifle,
the sound of a voice, a man or a woman passing in the street, the pattering
of rain. An inward rhythm.--Many of these projects advanced no further
than their title: most of them were never more than a note or two: it was
enough. Like all very young people, he thought he had created what he
dreamed of creating.
* * * * *
Public-domain text, read in full here on John Shaqi.
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