Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Nothing much happened during the rehearsals. Although the orchestra
understood absolutely nothing of the composition it was playing and
everybody was privately disconcerted by the oddities of the new music, they
had no time to form an opinion: they were not capable of doing so until
the public had pronounced on it. Besides, Christophe's confidence imposed
on the artists, who, like every good German orchestra, were docile and
disciplined. His only difficulties were with the singer. She was the
blue lady of the _Townhalle_ concert. She was famous through Germany:
the domestic creature sang Brünnhilde Kundry at Dresden and Bayreuth
with undoubted lung-power. But if in the Wagnerian school she had
learned the art of which that school is justly proud, the art of good
articulation, of projecting the consonants through space, and of
battering the gaping audience with the vowels as with a club, she had not
learned--designedly--the art of being natural. She provided for every word:
everything was accentuated: the syllables moved with leaden feet, and there
was a tragedy in every sentence. Christophe implored her to moderate her
dramatic power a little. She tried at first graciously enough: but her
natural heaviness and her need for letting her voice go carried her away.
Christophe became nervous. He told the respectable lady that he had tried
to make human beings speak with his speaking-trumpet and not the dragon
Fafner. She took his insolence in bad part--naturally. She said that,
thank Heaven! she knew what singing was, and that she had had the honor of
interpreting the _Lieder_ of Maestro Brahms, in the presence of that great
man, and that he had never tired of hearing her.
"So much the worse! So much the worse!" cried Christophe.
She asked him with a haughty smile to be kind enough to explain the meaning
of his energetic remark. He replied that never in his life had Brahms
known what it was to be natural, that his eulogies were the worst possible
censure, and that although he--Christophe--was not very polite, as she had
justly observed, never would he have gone so far as to say anything so
unpleasant.
Public-domain text, read in full here on John Shaqi.
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