Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
The argument went on in this fashion: and the lady insisted on singing in
her own way, with heavy pathos and melodramatic effects--until one day when
Christophe declared coldly that he saw the truth: it was her nature and
nothing could change it: but since the _Lieder_ could not be sung properly,
they should not be sung at all: he withdrew them from the programme.--It
was on the eve of the concert and they were counting on the _Lieder_: she
had talked about them: she was musician enough to appreciate certain of
their qualities: Christophe insulted her: and as she was not sure that the
morrow's concert would not set the seal on the young man's fame, she did
not wish to quarrel with a rising star. She gave way suddenly: and during
the last rehearsal she submitted docilely to all Christophe's wishes. But
she had made up her mind--at the concert--to have her own way.
* * * * *
The day came. Christophe had no anxiety. He was too full of his music to
be able to judge it. He realized that some of his works in certain places
bordered on the ridiculous. But what did that matter? Nothing great can be
written without touching the ridiculous. To reach the heart of things it
is necessary to dare human respect, politeness, modesty, the timidity of
social lies under which the heart is stifled. If nobody is to be affronted
and success attained, a man must be resigned all his life to remain bound
by convention and to give to second-rate people the second-rate truth,
mitigated, diluted, which they are capable of receiving: he must dwell in
prison all his life. A man is great only when he has set his foot on such
anxieties. Christophe trampled them underfoot. Let them hiss him: he was
sure of not leaving them indifferent. He conjured up the faces that certain
people of his acquaintance would make as they heard certain rather bold
passages. He expected bitter criticism: he smiled at it already. In any
case they would have to be blind--or deaf--to deny that there was force
in it--pleasant or otherwise, what did it matter?--Pleasant! Pleasant!...
Force! That is enough. Let it go its way, and bear all before it, like the
Rhine!...
He had one setback. The Grand Duke did not come. The royal box was only
occupied by Court people, a few ladies-in-waiting. Christophe was irritated
by it. He thought: "The fool is cross with me. He does not know what to
think of my work: he is afraid of compromising himself." He shrugged his
shoulders, pretending not to be put out by such idiocy. Others paid more
attention to it: it was the first lesson for him, a menace of his future.
Public-domain text, read in full here on John Shaqi.
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