Jean-Christophe sat apart in a corner, which was his own, behind the piano. No one could disturb him there, for to reach it he had to go on all fours. It was half dark there, and the boy had just room to lie on the floor if he huddled up. The smoke of the tobacco filled his eyes and throat: dust, too; there were large flakes of it like sheepskin, but he did not mind that, and listened gravely, squatting there Turkish fashion, and widening the holes in the cloth of the piano with his dirty little fingers. He did not like everything that they played; but nothing that they played bored him, and he never tried to formulate his opinions, for he thought himself too small to know anything. Only some music sent him to sleep, some woke him up; it was never disagreeable to him. Without his knowing it, it was nearly always good music that excited him. Sure of not being seen, he made faces, he wrinkled his nose, ground his teeth, or stuck out his tongue; his eyes flashed with anger or drooped languidly; he moved his arms and legs with a defiant and valiant air; he wanted to march, to lunge out, to pulverize the world. He fidgeted so much that in the end a head would peer over the piano, and say: "Hullo, boy, are you mad? Leave the piano.... Take your hand away, or I'll pull your ears!" And that made him crestfallen and angry. Why did they want to spoil his pleasure? He was not doing any harm. Must he always be tormented! His father chimed in. They chid him for making a noise, and said that he did not like music. And in the end he believed it. These honest citizens grinding out concertos would have been astonished if they had been told that the only person in the company who really felt the music was the little boy. If they wanted him to keep quiet, why did they play airs which make you march? In those pages were rearing horses, swords, war-cries, the pride of triumph; and they wanted him, like them, to do no more than wag his head and beat time with his feet! They had only to play placid dreams or some of those chattering pages which talk so much and say nothing. There are plenty of them, for example, like that piece of Goldmark's, of which the old watchmaker had just said with a delighted smile: "It is pretty. There is no harshness in it. All the corners are rounded off...." The boy was very quiet then. He became drowsy. He did not know what they were playing hardly heard it; but he was happy; his limbs were numbed, and he was dreaming.