Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Melchior set about organizing the concert as quickly as possible. He
engaged the support of the _Hof Musik Verein_, and as the success of his
first ventures had blown out his sense of proportion, he undertook at the
same time to publish a magnificent edition of the _Pleasures of Childhood_.
He wanted to have printed on the cover of it a portrait of Jean-Christophe
at the piano, with himself, Melchior, standing by his side, violin in hand.
He had to abandon that, not on account of the cost--Melchior did not stop
at any expense--but because there was not time enough. He fell back on an
allegorical design representing a cradle, a trumpet, a drum, a wooden
horse, grouped round a lyre which put forth rays like the sun. The
title-page bore, together with a long dedication, in which the name of the
Prince stood out in enormous letters, a notice to the effect that "Herr
Jean-Christophe Krafft was six years old." He was, in fact, seven and a
half. The printing of the design was very expensive. To meet the bill for
it, Jean Michel had to sell an old eighteenth-century chest, carved with
faces, which he had never consented to sell, in spite of the repeated
offers of Wormser, the furniture-dealer. But Melchior had no doubt but the
subscriptions would cover the cost, and beyond that the expenses of
printing the composition.
One other question occupied his mind: how to dress Jean-Christophe on the
day of the concert. There was a family council to decide the matter.
Melchior would have liked the boy to appear in a short frock and bare legs,
like a child of four. But Jean-Christophe was very large for his age, and
everybody knew him. They could not hope to deceive any one. Melchior had a
great idea. He decided that the boy should wear a dress-coat and white tie.
In vain did Louisa protest that they would make her poor boy ridiculous.
Melchior anticipated exactly the success and merriment that would be
produced by such an unexpected appearance. It was decided on, and the
tailor came and measured Jean-Christophe for his little coat. He had also
to have fine linen and patent-leather pumps, and all that swallowed up
their last penny. Jean-Christophe was very uncomfortable in his new
clothes. To make him used to them they made him try on his various
garments. For a whole month he hardly left the piano-stool. They taught him
to bow. He had never a moment of liberty. He raged against it, but dared
not rebel, for he thought that he was going to accomplish something
startling. He was both proud and afraid of it. They pampered him; they were
afraid he would catch cold; they swathed his neck in scarves; they warmed
his boots in case they were wet; and at table he had the best of
everything.
Public-domain text, read in full here on John Shaqi.
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