Jean François Millet: A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and InterpretationHurll, Estelle M. (Estelle May)
Philosophy
Jean François Millet: A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and Interpretation
Hurll, Estelle M. (Estelle May)
Millet, Jean François, 1814-1875
The square bell-tower lifts a weather-vane against the sky, and the
birds flock about it as about an old home. The rather steep roof is
slightly depressed, as if beginning to sink in.
With a painter's instinct Millet chose the point of view from which
all the lines of the church would be most beautiful and whence we may
see to the best advantage the quaint outlines of the tower. Beside
this, he took for his work the day and hour when that great artist,
the sun, could lend most effective help. So we see the simple little
building at its best. The sky makes a glorious background, with fleecy
clouds delicately veiling its brilliancy. The bright light throws
a shadow of the tower across the roof, breaking the monotony of its
length. The bareness of the big barn-like end is softened by the
shadow in which it is seen. The plain side is decorated with the
shadows of the buttresses and window embrasures.
The sheep are as much at home here as the birds. They nibble
contentedly in the road by the wall, and are undisturbed by the
approach of a villager. Beyond, at the left, is a glimpse of the level
stretch of the sea. This is a spot where earth and sky and water meet,
where the fishermen from the sea and the ploughmen from the fields
come to worship God.
XI
THE SOWER
It is nightfall, and the sky is cloudy save where the last rays of the
setting sun illumine a spot on the horizon. While the light lasts,
the Sower still holds to his task of sowing the seed. A large sack of
grain is fastened about his body and hangs at his left side, where one
end of it is grasped firmly in the left hand lest any of the precious
seed be spilled. Into this bag he plunges his right hand from time to
time, and draws out a handful of grain which he flings into the furrow
as he walks along.
The Sower's task ended, a series of strange transformations begins in
the life of the seed. The winter rain softens and swells it, and when
spring comes it pushes its way up in a tiny shoot. Soon the slender
blades appear in close lines; by and by the stalks grow tall and
strong, and the field is full of the beautiful green grain.
Then the hot summer sun shines with ripening power; the wheat turns a
golden yellow; the ears bend under the weight of the grain, and it is
time for the harvest. The reapers come with sickle and scythe, and
the grain is cut, and bound into great sheaves. The thrashing follows,
when the ear is shaken off the stalk, and the grain is winnowed. And
now the mills take up the work, the golden wheat grains are crushed,
and the fine white flour which they contain is sifted and put into
bags. The flour is mixed and kneaded and baked, and at length comes
forth from the oven a fragrant loaf of bread.
Public-domain text, read in full here on John Shaqi.
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