Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
“And feeding Matilda has become one of the things that is turning my
auburn tinted locks a soft, delicate gray,” she told Helen. “I know if
any catastrophe were to happen all at once, my passing words would be,
‘Put a stick of wood in the stove.’”
Jean felt around in her desk until she found her folio of sketches. The
sitting room was deserted excepting for Helen watering the rows of
blooming geraniums on the little narrow shelves above the sash curtains.
Cherilee, the canary, sang challengingly to the sunlight, and out in the
dining-room Doris was outmatching him with “Nancy Lee.”
Helen went upstairs to her father, and Kit appeared with a frown on her
face, puzzling over a pattern for filet lace.
“I think the last days before Christmas are terrible,” she exclaimed
savagely. “What on earth can we concoct at this last minute for Cousin
Beth? I think I’ll crochet her a filet breakfast cap. It’s always a race
at the last minute to cover everybody, and you bite off more than you
can chew and always forget someone you wouldn’t have neglected for
anything. What on earth can I give to Judge Ellis?”
“Something useful,” Jean answered.
“I can’t bear useful things for Christmas presents. Abby Tucker says she
never gets any winter clothes till Christmas and then all the family
unload useful things on her. I’m going to send her a bottle of violet
extract in a green leather case. I’ve had it for months and never
touched it and she’ll adore it. I wish I could think of something for
Billie too, something he’s never had and always wanted.”
“He’s going away,” Jean mused. “Why don’t you fix up a book of snapshots
taken all around here. We took some beauties this summer.”
“A boy wouldn’t like that.”
“He will when he’s homesick.” Jean opened her folio and began turning
over her art school studies. Mostly conventionalized designs they were.
After her talk with Cousin Beth they only dissatisfied her. Suddenly she
glanced up at the figure across the table, Kit with rumpled short curls
and an utterly relaxed posture, elbows on table, knees on a chair. There
was a time for all things, Kit held, even formality, but, as she loved
to remark sententiously when Helen or Jean called her up for her lax
ways, “A little laxity is permissible in the privacy of one’s own home.”
Jean’s pencil began to move over the back of her drawing pad. Yes, she
could catch it. It wasn’t so hard, the ruffled hair, the half averted
face. Kit’s face was such an odd mixture of whimsicality and
determination. The rough sketch grew and all at once Kit glanced up and
caught what was going on.
Public-domain text, read in full here on John Shaqi.
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