Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
“There is a certain frame of mind to which a cemetery is if not an
antidote, at least an alleviation. If you are in a fit of the blues, go
nowhere else.”
Here they found the last abiding place of old Captain Ephraim Ellis with
his two wives, Lovina Mary and Hephzibah Waiting, one on each side of
him. The Captain rested betwixt the two myrtle covered mounds and each
old slate gravestone leaned towards his.
“Far be it from me,” Cousin Roxy would say heartily, “to speak lightly
of those gone before, but those two headstones tell their own story, and
I’ll bet a cookie the Captain could tell his if he got a chance.”
Every Legislature convening at Hartford since the olden days, had known
an Ellis from Gilead. Only two of the family had taken to wandering,
Billie’s father and Gideon, one of the old Captain’s sons. The girls
wove many tales around Gideon. He must have had the real Argonaut
spirit. Back in the first days of the Revolution he had run away from
the valley home and ended up with Paul Jones on the “Bonhomme Richard.”
Billie loved his memory, the same as he did his own father’s, and the
girls had straightened up his sunken slatestone record, and had planted
some flowers, not white ones, but bravely tinted asters for late fall.
Billie showed them an old silhouette he had found. Mounted on black
silk, the old faded brown paper showed a boy with sensitive mouth and
eager lifted chin, queer high choker collar and black stock. On the back
of the wooden frame was written in a small, firm handwriting, “My
beloved son Gideon, aged nineteen.”
The old house sat far back from the road with a double drive curving
like a big “U” around it. Huge elms upreared their great boughs
protectingly before it, and behind lay a succession of all manner and
kind of buildings from the old forge to the smoke house. One barn stood
across the road and another at the top of the lane for hay. Since Cousin
Roxy had married the Judge, it seemed as if the sunlight had flooded the
old house. Its shuttered windows had faced the road for years, but now
the green blinds were wide open, and it seemed as if the house almost
smiled at the world again.
“I never could see a mite of sense in keeping blinds shut as if somebody
were dead,” Cousin Roxy would say. “Some folks won’t even open the
blinds in their hearts, let alone their houses, so I told the Judge if
he wanted me for a companion, he’d have to take in God’s sunshine too,
’cause I can’t live without plenty of it.”
Kit and Doris were the first to run up the steps and into the center
hall, almost bumping into Billie as he ran to meet them. Behind him came
Mrs. Ellis in a soft gray silk dress. A lace collar encircled her
throat, fastened with an old pink cameo breast-pin. Helen had always
coveted that pin. There was a young damsel on it holding up her full
skirts daintily as she moved towards a sort of chapel, and it was set in
fine, thin old gold.
Public-domain text, read in full here on John Shaqi.
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