Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
“Somebody wrote a wonderful poem about that,” she said. “I forget the
name, but it’s about those whose aims were greater than their ability,
don’t you know what I mean? It says that the work isn’t the greatest
thing, the purpose is, the dream, the vision, even if you fall short of
it. I know up home there’s one dear little old lady, Miss Weathersby.
We’ve just got acquainted with her. She’s the last of three sisters who
were quite rich for the country. Doris found her, way over beyond the
old burial ground, and she was directing some workmen. Doris said they
were tearing down a long row of old sheds and chicken houses that shut
off her view of the hills. She said she’d waited for years to clear away
those sheds, only her sisters had wanted them there because their
grandfather had built them. I think she was awfully plucky to tear them
down, so she could sit at her window and see the hills. Maybe it’s the
same way with Signa and the others. It’s something if they have the eyes
to see the hills.”
“Maybe so,” Bab said briskly. “Maybe I can’t see them myself, and it’s
just a waste of money keeping me at the Academy. I’m not a genius, and
I’ll never paint great pictures, but I am going to be an illustrator,
and while I’m learning I can imagine myself all the geniuses that ever
lived. You know, Jean, we were told, not long ago, to paint a typical
city scene. Well, the class went in for the regulation things,
Washington Arch and Grant’s Tomb, Madison Square and the opera crowd at
the Met. Do you know what I did?” She pushed back her hair from her
eager face, and smiled. “I went down on the East Side at Five Points,
right in the Italian quarter, and you know how they’re always digging up
the streets here after the gas mains or something that’s gone wrong?
Well, I found some workmen resting, sitting on the edge of the trench
eating lunch in the sunlight, and some kiddies playing in the dirt as if
it were sand. Oh, it was dandy, Jean, the color and composition and I
caught it all in lovely splashes. I just called it ‘Noon.’ Do you like
it?”
“Splendid,” said Jean.
Bab nodded happily.
“Miss Patmore said it was the best thing I had done, the best in the
class. You can find beauty anywhere if you look for it.”
“Oh, it’s good to be down talking to you again,” Jean exclaimed. “It
spurs one along so to be where others are working and thinking.”
“Think so?” Bab turned her head with her funny quizzical smile. “You
ought to hear Daddy Higginson talk on that. He’s head of the life class.
And he runs away to a little slab-sided shack somewhere up on the Hudson
when he wants to paint. He says Emerson or Thoreau wrote about the still
places where you ‘rest and invite your soul,’ and about the world making
a pathway to your door, too. Let’s get dressed. It’s after nine, and I
have to be in class at ten.”
Public-domain text, read in full here on John Shaqi.
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