Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
“That’s all right. Anything that tempers character while you’re young,
is good for the whole system. I was born out west in Kansas, way back in
pioneer days. I used to ride cattle for my father when I was only about
ten. And, Lord Almighty, those nights on the plains taught my heart the
song of life. I wouldn’t take back one single hour of them. We lived in
a little dugout cabin, two rooms, that’s all, and my mother came of a
fine old colonial family out of Colebrook, in your state. She made the
trip with my father and two of us boys, Ned and myself. I can just
remember walking ahead of the big wagon with my father, chopping down
underbrush and trees for us to get through.”
“Wasn’t it dangerous?” asked Jean, eagerly.
“Dangerous? No! The Indians we met hadn’t learned yet that the white man
was an enemy. We were treated well by them. I know after we got settled
in the little house, baking day, two or three of them would stand
outside the door, waiting while my mother baked bread, and cake and
doughnuts and cookies, in New England style, just for all the world like
a lot of hungry, curious boys, and she always gave them some.”
“Did you draw and paint them?”
He laughed, a round, hearty laugh that made Mrs. Crane smile over at
them.
“Never touched a brush until after I was thirty. I loved color and could
see it. I knew that shadows were purple or blue, and I used to squint
one eye to get the tint of the earth after we’d ploughed, dull rusty red
like old wounds, it was. First sketch I ever drew was one of my sister
Polly. She stood on the edge of a gully hunting some stray turkeys. I’ve
got the painting I made later from that sketch. It was exhibited too,
called ‘Sundown.’”
“Oh, I saw it,” Jean exclaimed. “The land is all in deep blues and
hyacinth tones and the sky is amber and the queerest green, and her
skirt is just a dash of red.”
“That’s what she always made me think of, a dash of red. The red that
shows under an oriole’s wing when he flies. She was seventeen then.
About your age, isn’t that, Jeanie?”
He glanced at her sideways. Jean nodded.
“I thought so, although she looked younger with her hair all down her
back, and short dresses on.”
“I—I hope she didn’t die,” said Jean, anxiously.
“Die? Bless your heart,” he laughed again. “She’s living up in
Colebrook. Went back over the old trail her mother had travelled, but in
a Pullman car, and married in the old home town. Pioneer people live to
be pretty old. Just think, girlie, in your autumn of life, there won’t
be any of us old timers left who can remember what a dugout looked like
or a pioneer ox cart.”
“It must have been wonderful,” Jean said. “Mother’s from the west too,
you know, only way out west, from California. Her brother has the big
ranch there now where she was born, but she never knew any hardships at
all. Everything was comfortable and there was always plenty of money,
she says, and it never seemed like the real west to us girls, when she’d
tell of it.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account