While she drawled the last biting sentences, she stuck her toe in the
stirrup and went up into the saddle as easily as any cowpuncher in the
country could have done. Robert Grant Burns stood with his hands at
his hips and watched her with the critical eye of the expert who sees
in every gesture a picture, effective or ineffective, good, bad, or
merely so--so. Robert Grant Burns had never, in all his experience in
directing Western pictures, seen a girl mount a horse with such
unconscious ease of every movement.
Jean twitched the reins and turned towards him, looking down at the
little group with unfriendly eyes. "I don't want to seem inhospitable
or unaccommodating, Mr. Burns," she told him, "but I fear that I must
take these cattle back home with me. You probably will not want to use
them any longer."
Mr. Burns did not say whether she was right or wrong in her conjecture.
As a matter of fact, he did want to use them for several more scenes;
but he stood silent while Jean, with a chilly bow to the four of them,
sent Pard up the rough bank of the little gulley. Rather, he made no
reply to Jean, but he waved his three rustlers back, retreating himself
to where the bank stopped them. And he turned toward the bushes that
had at first hidden him from Jean, waved his hand in an imperative
gesture, and called guardedly through cupped palms. "Take that! All
you can get of it!" Which goes far to show why he was considered one of
the best directors the Great Western Film Company had in its employ.
So Jean unconsciously made a picture which caused the eyes of Robert
Grant Burns to glisten while he watched. She ignored the men who had
so fooled her, and took down her rope that she might swing the loop of
it toward the cattle and drive them back across the gulley and up the
coulee toward home. Cattle are stubborn things at best, and this
little bunch seemed determined to seek the higher slopes. Put upon her
mettle because of that little audience down below,--a mildly jeering
audience at that, she imagined,--Jean had need of her skill and her
fifteen years or so of experience in handling stock.
She swung her rope and shouted, weaving back and forth across the
gulley, with little lunging rushes now and then to head off an animal
that tried to bolt past her up the hill. She would not have glanced
toward Robert Grant Burns to save her life, and she did not hear him
saying:
Public-domain text, read in full here on John Shaqi.
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