The Note is in the handwriting of Manchon, but as to who drew up the Twelve Articles we do not know. It was said to be customary that such Articles should be made and drawn up from the confessions of one accused of Heresy, even as in a matter of Faith was usually done, in Paris, by the Doctors and Masters in Theology. The corrections of these Articles were, we believe, put down as appears in the copy before us; but, whether these corrections were added or not to the copy of the Articles sent to Paris and to those invited to submit an opinion, we do not know. We believe not: for a note, in the handwriting of Maître Guillaume d’Estivet, the Promoter, shews that they were sent by him on the following day without correction. [Manchon was then asked, if he believed the Articles to be truthfully composed, and if there were not a great difference between them and Jeanne’s answers. He replied that, what was in his Process was true. The Articles were not his doing.] I believe that deliberation was not made on the whole Process, because it was not then in shape. It was brought into its present form only after Jeanne’s death. Opinions were given on the Twelve Articles. The Twelve Articles were not read to Jeanne. [Asked again, if he had ever perceived a difference between these Articles and Jeanne’s confessions, he said he did not remember. Those to whom they were shown said, that it was the custom to draw up such Articles; but that he had not given his attention to it, and that he should not have dared to argue with such great men.] During the Trial I was seated at the feet of the Judges with Guillaume Colles and the clerk of Maître Guillaume Beaupère, who was also writing; but there was a great difference in what we had written, and from this arose much contention.