American fiction -- 19th century; California -- Fiction; Western stories
Produced by Donald Lainson and David Widger
JEFF BRIGGS'S LOVE STORY
By Bret Harte
JEFF BRIGGS'S LOVE STORY.
I.
It was raining and blowing at Eldridge's Crossing. From the stately
pine-trees on the hill-tops, which were dignifiedly protesting through
their rigid spines upward, to the hysterical willows in the hollow, that
had whipped themselves into a maudlin fury, there was a general tumult.
When the wind lulled, the rain kept up the distraction, firing long
volleys across the road, letting loose miniature cataracts from the
hill-sides to brawl in the ditches, and beating down the heavy heads
of wild oats on the levels; when the rain ceased for a moment the wind
charged over the already defeated field, ruffled the gullies, scattered
the spray from the roadside pines, and added insult to injury. But both
wind and rain concentrated their energies in a malevolent attempt to
utterly disperse and scatter the “Half-way House,” which seemed to
have wholly lost its way, and strayed into the open, where, dazed and
bewildered, unprepared and unprotected, it was exposed to the taunting
fury of the blast. A loose, shambling, disjointed, hastily built
structure--representing the worst features of Pioneer renaissance--it
rattled its loose window-sashes like chattering teeth, banged its
ill-hung shutters, and admitted so much of the invading storm, that it
might have blown up or blown down with equal facility.
Jefferson Briggs, proprietor and landlord of the “Half-way House,” had
just gone through the formality of closing his house for the night,
hanging dangerously out of the window in the vain attempt to subdue a
rebellious shutter that had evidently entered into conspiracy with the
invaders, and, shutting a door as against a sheriff's posse, was going
to bed--i. e., to read himself asleep, as was his custom. As he entered
his little bedroom in the attic with a highly exciting novel in his
pocket and a kerosene lamp in his hand, the wind, lying in wait for
him, instantly extinguished his lamp and slammed the door behind him.
Jefferson Briggs relighted the lamp, as if confidentially, in a corner,
and, shielding it in the bosom of his red flannel shirt, which gave him
the appearance of an illuminated shrine, hung a heavy bear-skin across
the window, and then carefully deposited his lamp upon a chair at his
bedside. This done, he kicked off his boots, flung them into a corner,
and, rolling himself in a blanket, lay down upon the bed. A habit of
early rising, bringing with it, presumably, the proverbial accompaniment
of health, wisdom, and pecuniary emoluments, had also brought with it
certain ideas of the effeminacy of separate toilettes and the virtue of
readiness.
In a few moments he was deep in a chapter.
A vague pecking at his door--as of an unseasonable woodpecker, finally
asserted itself to his consciousness. “Come in,” he said, with his eye
still on the page.
Public-domain text, read in full here on John Shaqi.
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