Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
“If you had all those things and were going to die, surrounded by husband
and kiddies and all that, and you felt you had not attained what you knew
you might have done, don’t you think you would repent and regret? I am
sure you would.”
“Yes, but if I had reached the farthest goal of my abilities and I knew,
when dying, that my life and my work would live a long time after I had
gone—and I were alone, with no living soul belonging to me, don’t you
think I should regret and repent then too?”
Heggen was silent a moment.
“Yes. Celibacy, of course, is not the same to women as to men. It often
means that they are kept outside all those things in life which people
make the most fuss about—simply that whole groups of organs, mental as
well as physical, are wasting away unused. Ugh! Sometimes I almost wish
you would be a little frivolous for once and have done with it all, so
that you could work in peace and quiet afterwards.”
“Women who have been a little frivolous, as you say, are not done with
it. If they were disappointed the first time, they hope for better luck
the next. One does not settle down disappointed, and before you know it
you have had many a try.”
“Not you,” he said quickly.
“Thanks. It is quite new to hear you speak like that. You have always
said that when women begin such a life they invariably end by being
dragged down completely.”
“Most of them do. But there must be some exceptions. It applies to those
who have no other instincts in life than a man—not to those who are
something by themselves and not only of female sex. Why should you, for
instance, not be true and loyal to a man even if you both saw that you
could not give up everything to tie yourself down as his wife for the
rest of your life? Love always dies sooner or later. Don’t let yourself
be deceived on that point.”
“Yes; we know it—but still we won’t believe it.” She laughed. “No, my
friend—either we love and believe it is the only thing worth living for,
or we do not love—and are unhappy because we don’t.”
“Jenny, I don’t like to hear you speak like that. No; to feel oneself in
full vigour, with all faculties alert, ready to adopt and appropriate, to
adapt and produce, make the utmost possible of oneself—work—that is the
only thing worth living for, believe me.”
X
Jenny bent over Gert Gram’s chrysanthemums: “I am so glad you like my
pictures.”
“Yes, I like them very much, especially the one of the young girl with
the corals—as I told you already.”
Jenny shook her head.
“I think the colouring is so lovely,” said Gram.
“It is not well finished. The scarf and the dress should have been more
thoroughly worked up, but when I was painting it both Cesca and I were
distracted by other things.”
After a while she asked:
“Do you hear from Helge? How is he?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account