Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
She had asked him to go. Why? Because she was so miserably poor herself
and had complained of her need to him who, she thought, was just as
poor as she herself, and he had showed her that he was rich, offering
gladly to help her out of his abundance. It was no doubt because she felt
humiliated that she asked him to go.
To accept anything from an affection to which she could not respond had
always seemed mean to her, but then she never imagined that she would be
in need of such help.
He had not been allowed to continue the work to which he was devoted; the
love he had borne in his heart was never to live. Yet he did not despair.
That was probably the advantage of having faith—it did not matter so much
what one believed, provided there was somebody beside oneself one could
trust, for it is impossible to live with only oneself to love and trust.
She was quite familiar with the thought of voluntary death. If she died
now there were a few she cared for and who would be sorry, but none who
could not do without her, nor any one to whom she was so necessary that
she would feel it her duty to prolong her life for their sake. Provided
they did not know she had done it herself, her mother and sisters would
mourn her for a year and then remember her with gentle melancholy. Cesca
and Gunnar would be more sorry than anybody else, because they would
understand that she had been unhappy, but she was outside their life.
The one who loved her most would miss her most, but as she had nothing
to give him he might love her just as well dead. To love her was his
happiness; he had the capacity in him to be happy, but if she had not,
it was no good living. Work could not fill her life to such an extent
that she would not long for anything else besides. Why then go on living
because they said she had talent? Nobody had more pleasure of her art
than she had in exercising it, and the pleasure was not great enough to
satisfy her.
Gunnar was not right in what he had once said, rather brutally, that she
was a martyr to her own virtue. That could easily be remedied, but she
dared not, because she was always afraid of meeting later what she had
been longing for. And the least satisfactory of all would be to live
close to another human being and yet in one’s inmost soul be just as
lonely as before. Oh no—no. She would not belong to a man and submit to
all the physical and mental intimacies as the consequence of it, and then
discover one day that she did not know him, and that he had never known
her—that the one had never understood the language of the other.
She lived because she was waiting; she did not want a lover, because she
was expecting a master, and she did not wish to die—not now while she was
waiting.
No, she was not going to throw away her life either this way or that;
she could not die so poor that she had not a single beloved thing to bid
farewell to. She dared not, because she wanted to believe that some day
things would be different.
Public-domain text, read in full here on John Shaqi.
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