Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
“I know what you mean,” he said at last. “Other women have thought as
you, but when one has been gliding downward for a time one ceases to care
about where to stop, as you call it.” Stepping down from the wall, he
went towards her and took her hand:
“Jenny, you will stop now, will you not?”
She rose, smiling:
“For the present, anyway. I think I am cured for a long time of that sort
of thing.” She shook his hand firmly: “Good-night; I’ll sit for you in
the morning,” she said, going down the stairs.
“All right, thanks.”
He remained on the roof for some time smoking, shivering a little, and
thinking, before going down to his room.
IX
Next day she sat to him after lunch until it grew dark; in the rests,
they exchanged some insignificant words while he went on painting the
background or washed his brushes.
“There,” he said, putting down the palette and tidying up his paint-box.
“That will do for today.”
She came to look at the picture.
“The black is good, don’t you think?”
“Yes,” she said. “I think it is very effective.”
He looked at his watch:
“It is almost time to go out and get something to eat—shall we dine
together?”
“All right. Will you wait for me while I put on my things?”
A moment later when he knocked at her door she was ready, standing before
the glass to fasten her hat.
How good looking she was, he thought, when she turned round. Slim
and fair in her tight-fitting steel-grey dress, she looked very
ladylike—discreet, cold, and stylish. What he had thought of her
yesterday seemed quite impossible today.
“Did you not promise to go to Miss Schulin this afternoon to see her
paintings?”
“Yes, but I am not going.” She blushed. “Honestly I don’t care to
encourage an acquaintance with her, and I suppose there is not much in
her paintings either.”
“I should not think so. I cannot understand your putting up with her
advances last night. Personally, I would rather do anything—eat a
plateful of live worms.”
Jenny smiled, and said seriously:
“Poor thing, I daresay she is not happy at all.”
“Pooh! not happy. I met her in Paris in 1905. I don’t think she is
perverse by nature—only stupid and full of vanity. It was all put on.
If it were the fashion now to be virtuous she would sit up darning
children’s stockings, and would have been the best of housewives.
Possibly painting roses with dewdrops on as a recreation. But once
she got away from her moorings she wanted to see life—free as an
artist, she thought she ought to get herself a lover for the sake of
her self-respect. But unfortunately she got hold of a duffer who was
old-fashioned enough to want her to marry him in the old non-modern way
when things had gone wrong, and expected her to look after the child and
the house.”
“It may be Paulsen’s fault that she ran away—you never know.”
“Of course it was his fault. He was of the old school, wanting happiness
in his home, and he gave her probably too little love and still less
cudgelling.”
Jenny smiled sadly:
Public-domain text, read in full here on John Shaqi.
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