Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
He stood still, watching the stream run past him, and smiled at the
thought that he could drift along this street every evening in the dusk
among the crowds, until it became as familiar to him as the best-known
thoroughfare of his own city—Christiania. He was suddenly seized with the
wish to walk and walk—now and all night maybe—through all the streets of
Rome, for he thought of the town as it had appeared to him a while ago
when he was looking down on it from Pincio, while the sun was setting.
Clouds all over the western sky, close together like small pale grey
lambkins, and as the sun sank behind him it painted their linings a
glorious amber. Beneath the pale skies lay the city, and Helge understood
that this was the real Rome—not the Rome of his imagination and his
dreams, but Rome as she actually was.
Everything else he had seen on his journey had disappointed him, for
it was not what he had imagined at home when he had been longing to go
abroad and see it all. One sight at last was far beyond his dreams, and
that was Rome.
A plain of housetops lay beneath him in the valley, the roofs of houses
new and old, of houses high and low—it looked as if they had been built
anywhere and at any time, and of a size to suit the need of the moment.
In a few places only a space could be seen between the mass of housetops,
as of streets. All this world of reckless lines, crossing each other in
a thousand hard angles, was lying inert and quiet under the pale skies,
while the setting sun touched the borders of the clouds with a tinge of
light. It was dreaming under a thin veil of white mist, which no busy
pillar of smoke dared penetrate, for no factory chimney could be seen,
and no smoke came from a single one of the funny little chimney pipes
protruding from the houses. The round, old, rust-brown tiles were covered
by greyish moss, grass and small plants with yellow blossoms grew in the
gutters; along the border of the terraces the aloes stood immovably still
in their tubs, and creepers hung in dead cascades from the cornices.
Here and there the upper part of a high house rose above its neighbour,
its dark, hollow windows staring at one out of a grey or reddish-yellow
wall, or sleeping behind closed shutters. Loggias stood out of the mist,
looking like parts of an old watchtower, and small summer-houses of wood
or corrugated iron were erected on the roofs.
Above it all masses of church cupolas were floating—the huge, grey one,
far on the other side of what Helge supposed to be the river, was that of
St. Peter.
Beyond the valley, where the roofs covered the silent city—it well
deserved the epithet “eternal” tonight—a low hill stretched its longish
back toward the skies, carrying on the far-away ridge an avenue of
pines, the foliage of which formed one large mass above the row of
slender trunks. And behind the dome of St. Peter the eye was arrested by
another hill with villas, built among pines and cypresses. Probably Monte
Mario.
Public-domain text, read in full here on John Shaqi.
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