Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
“Your friend is a painter, too, I understand?”
“Yes—she is very talented.”
“I remember seeing a picture of yours at the autumn exhibition at home,”
said Helge. “Roses in a copper bowl.”
“I painted it here last spring, but I am not altogether pleased with it
now. I was in Paris for two months in the summer, and I think I learnt a
lot in that time. But I sold it for three hundred _kroner_—the price I
had marked it for. There are some things in it that are good.”
“You are a modern painter—I suppose you all are?”
Jenny smiled slightly, but did not answer.
The others waited at the bottom of the stairs. Jenny shook hands with the
men and said good morning.
“What do you mean by that?” said Heggen. “You are not really going off to
work now?”
“Yes; that is what I mean.”
“You are marvellous!”
“Oh, don’t, Jenny, come home!” Francesca shivered.
“Why shouldn’t I work? I am not a bit tired. Mr. Gram, hadn’t you better
take a cab home from here?”
“I suppose so. Is the post office open now? I know it is not far from the
Piazza di Spagna.”
“I am going past it—you can come with me.” She nodded a last time to the
others, who began to walk homeward. Francesca hung limp on Ahlin’s arm,
overcome with sleep.
III
“Well, did you get a letter?” said Jenny Winge when he returned to the
entrance hall of the post office, where she had been waiting for him.
“Now I will show you which tram to take.”
“Thank you, it is very kind of you.”
The piazza lay white in the sunshine; the morning air was crisp and
clear. Carts and people from the side streets were hurrying past.
“You know, Miss Winge, I don’t think I will go home. I am as wide awake
as I can be, and I should like to go for a walk. Would you think me
intruding if I asked to be allowed to accompany you a little bit of the
way?”
“Dear me, no. But will you be able to find the way to your hotel?”
“Oh, I think I can manage it in broad daylight.”
“You will find cabs now everywhere.”
They came out into the Corso, and she told him the names of the palaces.
She was always a step or two ahead of him, for she moved with ease
between the many people who had already come out on the pavements.
“Do you like vermouth?” she asked. “I am going in here to have one.”
She drank it all in one gulp, standing at the marble counter of the bar.
He did not like the bitter-sweet drink, which was new to him, but he
thought it fun to look in at a bar on their way.
Public-domain text, read in full here on John Shaqi.
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