Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
On this sunny morning he understood suddenly that even such a sight holds
beauty for those who can see.
Jenny Winge took the road between garden walls at the back of the church.
The walls were covered with ivy, and pines rose behind them. She stopped
to light a cigarette.
“I am a pronounced smoker, you see,” she said, “but I have to refrain
when I am with Cesca, for her heart does not stand it; out here I smoke
like a steam-engine. Here we are.”
A small, yellow house stood inside a fence; in the garden were tables and
forms under big, bare elms, and a summer-house made of rush stalks. Jenny
greeted the old woman who came out on the doorstep.
“Well, Mr. Gram, what do you say to breakfast?”
“Not a bad idea. A cup of strong coffee and a roll and butter.”
“Coffee! and butter! Listen to him! No, eggs and bread and wine, lettuce
and perhaps some cheese. Yes, she says she has cheese. How many eggs do
you want?”
While the woman laid the table Miss Winge carried her easel and painting
accessories into the garden, and changed her long, blue evening wrap for
a short coat, which was soiled with paint.
“May I have a look at your picture?” asked Helge.
“Yes—I am going to tone down that green—it is rather hard. There is
really no light in it yet, but the background is good, I think.”
Helge looked at the painting; the trees looked like big grease splashes.
He could see nothing in it.
“Here’s breakfast coming. We’ll throw the eggs at her if they are hard.
Hurrah, they aren’t!”
Helge was not hungry. The sour white wine gave him heartburn, and he
could scarcely swallow the dry, unsalted bread, but Jenny bit off great
chunks with her white teeth, put small pieces of Parmesan in her mouth,
and drank wine. The three eggs were already done with.
“How can you eat that nasty bread without butter?” said Helge.
“I like it. I have not tasted butter since I left Christiania. Cesca
and I buy it only when we are having a party. We have to live very
economically, you see.”
He laughed, saying: “What do you call economy—beads and corals?”
“No; it is luxury, but I think it is very essential—a little of it. We
live cheaply and we eat cheaply, tea and dry bread and radishes twice or
three times a week for supper—and we buy silk scarves.”
She had finished eating, lit a cigarette, and sat looking in front of
her, with her chin resting on her hand:
“To starve, you see, Mr. Gram—of course I have not tried it yet, but
I may have to. Heggen has, and he thinks as I do—to starve or to have
too little of the necessary is better than never to have any of the
superfluous. The superfluous is the very thing we work and long for.
At home, with my mother, we always had the strictly necessary, but
everything beyond it was not to be thought of. It had to be—the children
had to be fed before anything else.”
“I cannot think of you as ever having been troubled about money.”
“Why not?”
Public-domain text, read in full here on John Shaqi.
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