“All the winter they stand like that, shivering with cold, but when spring comes they have not been harmed.” When she dropped the twig he picked it up and kept it. They had white wine. Francesca mixed hers with water, and hardly drank any of it. She smiled imploringly: “Will you give me a cigarette?” “With pleasure, if you think you can stand it.” “I scarcely ever smoke now. Jenny has almost given it up for my sake. I suppose she is making up for it tonight, though. She is with Gunnar.” She laughed. “You must not tell Jenny that I smoked, promise me.” “I won’t,” he said, laughing too. She smoked in silence for a while: “I wish she and Gunnar would marry, but I am afraid they won’t. They have always been such friends. You don’t easily fall in love with a friend, do you? One you knew so well before. They are very much alike in character, and it is just the contrast that attracts you, people say. It is stupid it should be so, I think, for it would be much better to fall in love with somebody akin to you, as it were; it would save all the misery and disappointment, don’t you think? “Gunnar’s home is a small farm in the country. He came to Christiania, to an aunt, who took care of him, because they were so poor at home. He was only nine then, and had to carry the washing; his aunt kept a laundry. Later he got into a factory. He’s taught himself all he knows by sheer hard work. He reads a lot; he takes an interest in everything, and wants to get to the bottom of it. Jenny says he even forgets to paint. He has learnt Italian thoroughly; he can read any book—poetry, too. “Jenny is the same. She has learnt heaps because it interested her. I can never learn out of books; reading always gives me a headache. But when Jenny or Gunnar tell me things, I remember them. You are very clever too; do tell me about the things you are studying. There is nothing I love more, and I store it in my memory. “Gunnar has taught me to paint too. I always loved to draw; it came naturally. Three years ago I met him in the mountains at home. I had gone there to sketch. I made very nice pictures, quite correct, but not an ounce of art in them. I could see it myself, but I could not understand the reason why. I saw there was something missing in my pictures—something I wanted to put into them—but did not quite know what it was, and had not the least idea how to get it there. “I spoke to him about it, showed him my things. He knew less than I about technique—he is only a year older than I—but he could make better use of what he had learnt. Then I made two pictures of a summer night in that wonderful chiaroscuro, where all the colours are so deep and yet with such a strong light. They were not good, of course, but they had something of what I had wanted. I could see they were done by me and not by any little girl who had just learnt something about drawing. You see what I mean?