Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
“Jenny! Wait! Jenny!...” He hurried after her, but she was already at the
stop when the tram came, and got in, leaving him without a word.
VII
Jenny walked listlessly about in her studio next morning and could not
settle down to anything. The pouring rain was beating against the big
window. She stopped to look at the wet tiles of the roofs, the black
chimneys, and the telephone wires, along which the small raindrops were
rolling down like pearls until they gathered into one large one and fell
off, to be replaced immediately by others.
She might go to her mother and the children in the country for a few
days. She must go away from all this. Or she might go to an hotel in some
other town and write for Helge to come and talk things over with her
quietly. If they could only be together again—they two alone! She tried
to think of their spring in Rome, of the silvery haze over the mountains,
and of her own happiness in it all. But she could not reconstruct the
picture of Helge from that time—as he had appeared to her enamoured eyes.
Those days seemed already so far away; they were an isolated episode in
her life, and although she knew they were a reality she could not connect
them with her present existence.
Helge—_her_ Helge was lost to her in the home at Welhavensgaten, and she
herself could not fit in there. It seemed unthinkable that she should
have anything to do with those people now and in all the time to come.
Yes—Gram was right—they must go away.
And she would go at once—before Helge came, asking for an explanation of
her behaviour yesterday. She packed a bag, and as she was putting on her
mackintosh somebody knocked at the door—again and again—she knew it was
Helge. She stood absolutely still and waited till he had gone. After a
while she took her bag, locked the studio, and went. Half-way down the
stairs she saw a man sitting in one of the windows. It was Helge. He
had seen her too, so she went down to him. They looked at each other in
silence.
“Why did you not open just now?” he asked.
Jenny did not answer.
“Did you not hear me knocking?” He looked at her bag: “Are you going to
your mother?”
She hesitated a little, then said: “No; I thought of going to Holmestrand
for a few days and writing to you from there to come down, so that we
could be together for a time without undue interference and scenes. I
should like to talk matters over with you in peace and quiet.”
“I am anxious to speak to you too. Can we not go up to your place?”
She did not answer directly.
“Is there anybody there?” he asked.
Jenny looked at him: “Anybody in my studio when I have left?”
“There might be somebody you do not wish to be seen with.”
She turned purple in the face: “Why? How could I know that you were
sitting there spying on me?”
“My dear Jenny, I don’t mean to say that there was any harm in it, not on
your part at least.”
Public-domain text, read in full here on John Shaqi.
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