But still let us think for a moment of Tina as, at length attired, she
turns to leave her room, with one sidelong glance just thrown backwards
at the looking-glass, as brightly and quickly as if it had come from a
bird. Above her hair, which was very short, and tied behind in a knot
which rippled out in curls, she had placed a little black hat with its
outline softened by a black ostrich feather that curled all round the
crown. Her dress was also black, an old figured silk, for she thought
it best to seem in some sort of mourning; and a silver bangle was
clasped upon her wrist above the long, black, embroidered glove she
wore. One more thing we must notice, the daintiest black umbrella,
which had at the top of its handle a pretty silver knob. Thus attired,
Tina’s dress could not be accused of brightness, or of any attempt at
unwarrantable display--yet it must be owned that there was still in her
appearance that look of an adventuress which seemed to belong to her.
If she was conscious of this fact, I do not know that she regretted it,
for she liked people to turn and look at her in the street, and if you
have nothing more than an ordinary appearance, it is at least possible
that you may not be seen.
So, thus attired, and moving daintily, with a face more thoughtful than
usual, and her great dark eyes shining beneath the shadow of her hat,
little Tina was able to leave her room at last. She went slowly down
the stairs, meditating as she went, for there were consequences of
serious importance depending on the interview she was about to dare
to-day. At the foot of the stairs her brother stood waiting for her--a
young man whose appearance was not as much like that of a foreigner as
her own; well-dressed, supple-figured, with delicate hands and
features, and languid eyelids that were scarcely raised as she joined
him. They did not exchange a single word or glance, but, moving
together, went out into the yard.
Public-domain text, read in full here on John Shaqi.
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