She entered the room where this image of neatness stood--poor,
passionate Annie, with her dark eyes dull and tired, her pouting lips
pale with sickness or weariness, and the straying hairs bright and
rough beneath her hat. She was neat, indeed--Jenny’s child could not be
otherwise--but not with the conscious neatness of the farmer’s
daughter, and at that moment she looked tremulous and ill, unwilling to
talk and only fit for rest. Without saying a word or holding out her
hand, she sat down in the chair Alice silently offered; and almost
unconsciously put out her hand, and took up a sock from the heap upon
the bed. The action might have been called mechanical, but it raised
her at once in the opinion of her companion.
‘Would you like to work?’ Alice asked, hospitably; ‘I’ve needles,
cotton and thimble, everything; I can put the big basket between us on
a chair, and then we can take from it what we want. Only don’t be
troubled, as if you must be helping me, ’cause I’ve plenty of time to
get through all to-day.’
‘I ’ud like to work,’ Annie answered, not unreadily, as she took off
her hat and laid it on the bed; ‘I’m always accustomed to sit an’ work
at home, whenever there’s any spare time of any sort. It doesn’t seem
natural to sit with idle hands, and I don’t like it ... it gives one
time to think ...’
The deep sigh with which she broke off did not escape her companion,
and Alice looked up anxiously. Annie did not resent the glance, she
appeared to welcome it; at that moment she must have felt in need of
sympathy.
‘Mother an’ me’s had words,’ she murmured, half-reluctantly, as if in
answer to her companion’s eyes; her industrious fingers occupied all
the while with the sock that she had taken in her hand. ‘Mother is so
foolish, she will not understand that there’s some things about which
one cannot talk; she wishes me to behave as if I was a child, an’ I
know I shall never be a child again.’
The words had a pathetic sound, perhaps because of the pathos of the
dark eyes she raised--a glance almost childish in its simplicity, and
yet, at the same time, too suggestive of womanhood. At that moment it
was not possible to look at her without some intuition of danger; and
‘farmer’s Alice,’ in spite of her precision, had enough clearness of
sight to be forewarned. It may be that an anxiety lurking at her own
heart made her more able than usual to feel for another woman’s trial;
for, in spite of her resolves--and she could be resolute--she had been
herself more or less troubled all the day. The sound of that trouble
could be heard in her voice, an undertone beneath its quietness.
‘We can’t expect things to be always right,’ she said; ‘there’s worries
upon t’ best o’ days--there’s the colt in the garden, or else there’s
father ill, or t’ boys steal the fruit, an’ we can’t find who they be.
Mr Bender, he says we all on us have trials; an’ I’m sure it’s true,
so I suppose it must be so.’
Public-domain text, read in full here on John Shaqi.
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