The minatory discourses are sombre and lurid. Sometimes the terror
foretold is nameless and mystic, yet even then the Prophet’s simplicity
does not fail but rather contributes to the vague, undefined horror. In
the following it is premature night which creeps over the hills—night
without shelter for the weary or refuge for the hunted.
Hear and give ear, be not proud,
For the Lord hath spoken!
Give glory to the Lord your God
Before it grows dark,
And before your feet stumble—
On the mountains of dusk.
While ye look for light, He turns it to gloom
And sets it thick darkness.(82)
There this poem leaves the Doom, but in others Jeremiah leaps in a moment
from the vague and far-looming to the near and exact. He follows a line
which songs of vengeance or deliverance often take among unsophisticated
peoples in touch with nature. They will paint you a coming judgment first
in the figure of a lowering cloud or bursting storm and then in the
twinkling of an eye they turn the clouds or the lightnings into the ranks
and flashing arms of invaders arrived. I remember an instance of this
within one verse of a negro song from the time of the American Civil War:—
Don’t you see de lightning flashing in de cane-brakes?
Don’t you think we’se gwine to have a storm?
No you is mistaken—dem’s de darkies’ bayonets,
And de buttons on de uniform!
Examples of this sudden turn from the vague to the real are found
throughout Jeremiah’s Oracles of Doom. Here are some of them:—
Wind off the glow of the bare desert heights,
Right on the Daughter of My people,
It is neither to winnow nor to cleanse,
In full blast it meets me...:
Lo, like the clouds he is mounting,
Like the whirlwind his chariots!
Swifter than vultures his horses;
Woe! We are undone!
For hark a signal from Dan,
Mount Ephraim echoes disaster,
Warn the folk! “They are come!”(83)
Make heard o’er Jerusalem.
Lo, the beleaguerers (?) come
From a land far-off,
They let forth their voice on the townships of Judah,
[Close] as the guards on her suburbs
They are on and around her,
For Me she defied.(84)
There is a similar leap from the vagueness of IV. 23-26, which here
follows, to the vivid detail of verses 29-31 already rendered on page 45.
I looked to the earth, and lo, chaos,
To the heavens, their light was gone,
I looked to the mountains, they quivered,
The hills were all shuddering.
I looked and behold not a man,
All the birds of the heavens had fled.
I looked for the gardens, lo desert,
All the townships were burning.
Or take a similar effect from the Oracle on the Philistines, Ch. XLVII. 2,
3.
Public-domain text, read in full here on John Shaqi.
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