Most of all, however, she suffered over Hamlet. She knew that at this present time Hamlet was the one creature for whom Jeremy passionately cared. He loved his mother, but with the love that custom and habit has tamed and modified, although since Mrs. Cole's illness in the early summer he had cared for her in a manner more demonstrative and openly affectionate. Nevertheless, it was Hamlet who commanded Jeremy's heart, and Mary knew it. Matters were made worse by the undoubted truth that Hamlet did not care very much for Mary--that is, he never gave any signs of caring, and very often walked out of the room when she came into it. Mary could have cared for the dog as enthusiastically as Jeremy--she was always sentimental about animals--but now she was shut out from their alliance, and she knew that when she came up to them and began to pat or stroke Hamlet, Jeremy was annoyed and Hamlet's skin wriggled in a kind of retreating fashion under her fingers. Wise people will say that it is impossible for this to be a serious trouble to a child. It was increasingly serious to Mary. Jeremy was not, perhaps, so tactful as he might have been. “Oh bother, Mary!” he would say. “You've gone and waked Hamlet up!” or “Don't stroke Hamlet that way, Mary; he hates it!” or “No, I'm going for a walk with Hamlet; we don't want anyone!” Or Hamlet himself would suddenly bark at her as though he hated her, or would bare his teeth and grin at her in a mocking, sarcastic way that he had. At first, as an answer to this, she had the ridiculous idea of herself adopting an animal, and she selected, for this purpose, the kitchen cat, a dull, somnolent beast, whose sleek black hair was furtive, and green, crooked eyes malignant. The cat showed no signs of affection for Mary, nor could she herself honestly care for it. When she brought it with her into the schoolroom, Hamlet treated it in a scornful, sarcastic fashion that was worse than outrageous attack. The cat was uncleanly, and was speedily banished back into the kitchen. Mary's jealousy of Hamlet then grew apace, and with that jealousy, unfortunately, her secret appreciation of his splendours. She could not help admitting to herself that he was the most attractive dog in the world. She would look at him from under her spectacles when she was supposed to be reading and watch him as he rolled, kicking his legs in the air, or lay stretched out, his black wet nose against his paws, his eyes gleaming, his gaze fixed like the point of a dagger raised to strike, upon some trophy, or enemy, or spoil, or sat, solemn and pompous, like the Lord Mayor holding a meeting, as Jeremy said, up against his master's leg, square and solid as though he were cut out of wood, his peaked beard supercilious, his very ears at a patronising angle; or, as Mary loved best of all to see him, when he was simply childish, playing, as though he was still a new-found puppy, with pieces of paper or balls of string, rolling and choking, growling,