Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country Town — John Shaqi
Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country TownWalpole, Hugh
General
Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country Town
Walpole, Hugh
Boys -- Fiction; Dogs -- Fiction; England -- Social life and customs -- 19th century -- Fiction
At that moment the band struck up, and in another instant the floor was
covered with figures. The tall, gawky boy dragged off Mary, who had said
not a word, but stared at him with distressed eyes through her
spectacles.
Helen took absolute charge of her partner, moving away with such grace
and elegance that Jeremy was suddenly proud of her and seemed to see her
as she really was for the first time in his life.
Then he realized that he was alone, absolutely alone, stuck against the
wall, a silly gawk, for all the world to look at and despise.
III
He set his chin, squared his shoulders, and tried to look as though he
were there by preference. No one now paid any attention to him; the
music swung on, and although he had never danced in his life, his toes
kept time inside his shoes. He gazed haughtily around him, stared at the
dancers as they passed him, and was miserable.
Then the stout lady who had carried off Mary and Helen suddenly appeared
again and said:
“What! Not dancing? You’re Jeremy Cole, aren’t you? Come along. I’ll
find you a partner.”
He was led away and precipitated at the feet of a very stout lady who
stared at him in a frozen way and a frightened little girl. He had a
programme in his hand and was going to ask her for some future polka,
when the mountainous lady said in a deep bass voice:
“You’d better take her now. She’s been waiting long enough,” staring at
the genial introducer as she spoke.
Jeremy led away his victim. He was acutely miserable, but the agony of
stumbling, bumping and incoherent whirling did not last long because the
band suddenly stopped, and before he knew it he was sitting on the steps
of a staircase with his partner and staring at her.
She said not a word; then he saw that she was terrified and pity held
him.
“Do you like dances?” he asked hoarsely.
“I’ve never been to one before,” she answered in a convulsive whisper,
looking as though she were about to cry.
“Where do you live?” he asked.
“Five, Pemberton Terrace, Polchester,” she answered breathlessly.
“Was that your mother?”
“No. Auntie.”
“How many aunts have you?”
“Five.”
“What a lot! I’ve only one, and it’s quite enough. How many uncles have
you?”
“I haven’t got an uncle.”
“I have—a splendid one. Do any of your aunts paint?”
“Auntie Maude does.”
“What does she paint?”
“I don’t know.”
He felt this conversation so stupid that he looked at her in disgust.
What was it about girls? Why was there something the matter with all of
them? If this was what dances were, he didn’t want any more of them. And
it was just then, at that most distressing moment, that the wonderful,
the never-to-be-forgotten event occurred. Someone was coming down from
the stairs above them and wanted to pass them.
A voice said softly: “Do you mind? Thank you so much.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account