Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country TownWalpole, Hugh
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Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country Town
Walpole, Hugh
Boys -- Fiction; Dogs -- Fiction; England -- Social life and customs -- 19th century -- Fiction
There should then have followed a blast on the trumpet and three rousing
cheers. Alas! the welcome was a complete and devastating failure.
Jeremy could be heard to say:
“Thanks awfully.... By Jove, I _am_ hungry. How soon’s tea, mother?”
Barbara’s howls were now so terrible as to demand immediate attention
from everyone. Hamlet had slipped from control and was barking at Aunt
Amy, whom he delighted to annoy. Mrs. Cole said: “Now that’s enough,
children dear. I’m sure Jeremy’s tired now.” No one had heard Mary’s
verses; no one noticed the cocked hats; no one applauded the silver
wands. The work of weeks was disregarded. No one thought of Mary at all.
She crept away to her room at the top of the house, flung herself upon
her bed and howled, biting the counterpane between her teeth.
But are not these home-comings always most disappointing affairs? For
weeks Jeremy had been looking to this moment. On the frayed wallpaper
just above his bed in the school dormitory he had made thick black marks
with a pencil, every mark standing for a day. Hard and cynical during
his school-day, a barbarian at war with barbarians, at nights, when the
lights were out, when the dormitory story-teller’s (unhappy Phipps
minor) voice had died off into slumber, in those last few minutes before
he too slept, he was sentimental, full of home-sick longings, painting
to himself that very springing from the cab, his mother’s kiss, Hamlet’s
bark, yes, and even the embraces of his sisters. On the morning of
departure, after the excitement of farewells, the strange, almost
romantic thrill of the empty schoolrooms, the race in the wagonette
(_his_ wagonette against the one with Cox major and Bates and Simpson)
to the station, the cheeking of the station-master, the crowding into
the railway carriage and leaning (five on top of you) out of the
carriage window, the screams of “Bags I the corner,” the ensuing fights
with Cox major, after all this gradual approach to known country, the
gathering-in as though with an eager hand of remembered places and
stations and roads, the half-hour stop at Drymouth (leaving now almost
all your companions behind you—only young Marlowe and Sniffs major
remaining), the crossing over into Glebeshire, then the beat of the
heart, the tightening of the throat, as Polchester gradually
approached—all this, yes and more, much more, than this, to end in that
disappointment! Everyone looking the same as before, the hall the same,
the pictures the same, father and mother and Aunt Amy the same, Mary and
Helen the same only stupider! What did they dress up and make fools of
themselves like that for? Mary always did the wrong thing, and now most
certainly she would be crying in her bedroom because he had not said
enough to her. . . .
Public-domain text, read in full here on John Shaqi.
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