Jersey Street and Jersey Lane: Urban and Suburban SketchesBunner, H. C. (Henry Cuyler)
General
Jersey Street and Jersey Lane: Urban and Suburban Sketches
Bunner, H. C. (Henry Cuyler)
United States -- Social life and customs -- 19th century -- Fiction
Summoning two or three of us youngsters, and a dazed Irish maid fresh
from Castle Garden and a three weeks' voyage in the steerage of an ocean
steamer, she led us up to the top of the house, to one of those vast
old-time garrets that might have been--and in country inns occasionally
were--turned into ballrooms, with the aid of a few lights and sconces.
Here was stored the accumulated garmenture of the household for
generation upon generation; and as far as I could discover, every member
of that family had been born into a profound mourning that had continued
unto his or her latest day, unmitigated save for white shirts and
petticoats. These we bore down by great armfuls to the front portico,
and I remember that the operation took nearly an hour. When at length we
had covered the shaky warped floor of the long porch with the strange
heaps of black and white--linens, cottons, silks, bombazines, alpacas,
ginghams, every conceivable fabric, in fashion or out of fashion, that
could be bleached white or dyed black--the old lady arranged us in
working order, and, acting at once as directress and chief worker, with
incredible quickness and dexterity she rent these varied and multiform
pieces of raiment into broad strips, which she ingeniously twisted, two
or three together, stitching them at the ends to other sets of strips,
until she had formed immensely long rolls of black and white. Mounting a
tall ladder, with the help of the strongest and oldest of her
assistants, she wound the great tall white columns with these strips,
fastening them in huge spirals from top to bottom, black and white
entwined. Then she hung ample festoons between the pillars, and
contrived something painfully ambitious in the way of rosettes for the
cornice and frieze.
[Illustration]
Then we all went out in the street and gazed at the work of our hands.
The rosettes were a failure, and the old lady admitted it. I have
forgotten whether she said they looked "mangy," or "measly," or "peaky;"
but she conveyed her idea in some such graphic phrase. But I must ask
you to believe me when I tell you that, from the distant street, that
poor, weather-worn old front seemed to have taken on the very grandeur
of mourning, with its great, clean, strong columns simply wreathed in
black and snowy white, that sparkled a little here and there in the
fitful, cold, spring sunlight. Of course, when you drew near to it, it
resolved itself into a bewildering and somewhat indecent confusion of
black petticoats, and starched shirts, and drawers, and skirts, and
baby-clothes, and chemises, and dickies, and neck-cloths, and
handkerchiefs, all twisted up into the most fantastic trappings of woe
that ever decked a genuine and patriotic grief. But I am glad, for
myself, that I can look at it all now from even a greater distance than
the highway at the foot of the lawn.
Public-domain text, read in full here on John Shaqi.
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