The Bowery is not a large place, for I think that, properly speaking, it is a place rather than a street or avenue. It is an irregularly shaped ellipse, of notable width in its widest part. It begins at Chatham Square, which lies on the parallel of the sixth Broadway block above City Hall, and loses its identity at the Cooper Union where Third and Fourth Avenues begin, so that it is a scant mile in all. But it is the alivest mile on the face of the earth. And it either bounds or bisects that square mile that the statisticians say is the most densely populated square mile on the face of the globe. This is the heart of the New York tenement district. As the Bowery is the Broadway of the East Side, the street of its pleasures, it would be interesting enough if it opened up only this one densely populated district. But there is much more to contribute to its infinite variety. It serves the same purpose for the Chinese colony in Mott, Pell, and Doyers Streets, and for the Italian swarms in Mulberry Bend, the most picturesque and interesting slum I have ever seen, and I am an ardent collector of slums. I have missed art galleries and palaces and theatres and cathedrals (cathedrals particularly) in various and sundry cities, but I don't think I ever missed a slum. Mulberry Bend is a narrow bend in Mulberry Street, a tortuous ravine of tall tenement houses, and it is so full of people that the throngs going and coming spread off the sidewalk nearly to the middle of the street. There they leave a little lane for the babies to play in. No, they never get run over. There is a perfect understanding between the babies and the peddlers who drive their wagons in Mulberry Bend. The crowds are in the street partly because much of the sidewalk and all of the gutter is taken up with venders' stands, which give its characteristic feature to Mulberry Bend. There are displayed more and stranger wares than uptown people ever heard of. Probably the edibles are in the majority, certainly they are the queerest part of the show. There are trays and bins there in the Bend, containing dozens and dozens of things that you would never guess were meant to eat if you didn't happen to see a ham or a string of sausages or some other familiar object among them. But the color of the Bend--and its color is its strong point--comes from its display of wearing apparel and candy. A lady can go out in Mulberry Bend and purchase every article of apparel, external or private and personal, that she ever heard of, and some that she never heard of, and she can get them of any shade or hue. If she likes what they call "Liberty" colors--soft, neutral tones--she can get them from the second-hand dealers whose goods have all the softest of shades that age and exposure can give them. But if she likes, as I do, bright, cheerful colors, she can get tints in Mulberry Bend that you could warm your hands on. Reds, greens, and yellows preponderate, and