Snaggletooth's wife is in the house, and helps my mother in her
trouble. In the night this good creature and I sit together in the
kitchen--waiting. My mother comes in softly two or three times; once
she draws me out of the kitchen on to the dark landing, and kneels
down, and with her arms around my neck, sobs quietly upon my shoulder.
She kisses me many times, and whispers a prayer to me, which I repeat
after her.
'Be a good child always, Chris,' she says.
'I will, mother.' And the promise, given at such a time, sinks into my
heart with the force of a sacred obligation.
Then my mother takes me into the kitchen, and gives me into the charge
of Snaggletooth's wife, and steals away. Snaggletooth's wife begins to
prattle to amuse me, and in a few minutes I ascertain that she in some
way resembles Jane Painter; for--probably influenced by the
appropriateness of the occasion for such narrations--she tells me
stories in a low tone about the Ghost of the Red Barn, and the
Cock-lane Ghost, and Old Mother Shipton. The old witch is a favourite
theme with Snaggletooth's wife, and I hear many strange things. She
says:
'One night Mother Shipton was in a terrible rage, and she told the
grasshopper on the top of the Royal Exchange to jump over to the ball
on St. Paul's Church steeple. And so it did. Soon after that, London
was burnt to the ground.'
I muse upon this, and presently inquire: 'Was it an accident?'
'The fire? No; it was done on purpose.'
'Was it because the grasshopper jumped on to the steeple that London
was set on fire?'
'Of course,' is the reply. 'That was Mother Shipton's spite.'
Snaggletooth's wife tells so many stories of ghosts and witches that
the air smells of fire and brimstone, and I see the cat's tail stiffen
and its eyes glow fearfully. Then I hear a cry from upstairs, and
Snaggletooth's wife rises hurriedly, and looks about her with restless
hands, and the whole house is in a strange confusion. Snaggletooth
himself comes into the room, and as he whispers some consoling words
to me--only the import of which I understand--his great tooth sticks
out like a horn. He looks like a fiend.
CHAPTER V.
I PLAY THE PART OF CHIEF MOURNER.
Public-domain text, read in full here on John Shaqi.
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