Jet planes -- Juvenile fiction; Mystery and detective stories; War stories; World War, 1939-1945 -- Juvenile fiction
“For Pete’s sake, tune that fiddle!” Jack exploded.
“Tune it yourself!” Ted held out the violin. “How are you going to do it
without a piano?”
Without troubling to reply, Jack accepted the challenge. Tucking the
fiddle under his chin, he began strumming its strings.
“No.... Now!” He exclaimed once. Then, “There, that’s better!” He hummed
a tune, tested a string, hummed again; then, after drawing the bow
across the strings, exclaimed softly:
“Not bad! Not bad! Really quite a fiddle!”
“Little you know about that!” someone laughed. “You’re just a scout
pilot.”
“Oh, yeah?” Jack laughed. Then, after one more testing of the
strings—seeming to forget his surroundings, the racing carrier, the
black sea, the murmuring men—he began to play the “Londonderry Air.”
At once the group became silent. Even the great ship’s motors seemed to
throb in a strange, new way as the plaintive strain drifted out into the
night.
Jack played it through to the end, while many a boy far from home seemed
to hear the voice of a woman singing the sweet and melancholy words of
“Danny Boy.” Finishing, he purposely made a harsh discord, then gave the
violin back.
“Bravo! Bravo!” came in a chorus. “More! More!”
“Here.” Ted held out the violin. “It’s yours, for keeps. If you can make
it do that, it belongs to you.”
“What? You don’t mean that!” Jack stared in astonishment.
“I certainly do.” Ted spoke soberly. “Dad paid good money for that
violin. It was wasted as far as I’m concerned. But you can really play!”
Yes, Jack could play. From his eighth birthday on, he had known but one
ambition—to become a really fine violinist. Then had come the war,
and—but why think of that? The war was here. He was a scout pilot.
For a moment he stood silently thinking. Then he said:
“Tell you what.” His voice was low and full of emotion. “You wanted my
radio. I’ll swap you.”
“It’s a go,” Ted agreed.
Then, fearing that his first tune had dug too deep into the souls of his
comrades, Jack struck out with the old “Virginia Reel.”
At once the whole gang was whirling about in a mad sort of dance.
“Concert’s over!” Jack exclaimed at last, tucking the violin under his
arm. “Tomorrow we fight.”
“Tomorrow we fight! Tomorrow we fight!” came echoing back. And so the
party broke up.
Jack had the precious violin, acquired in such a strange manner, tucked
under his arm as he and Stew strode down the deck toward the ladder that
led to a night’s repose.
As they rounded a life raft someone blinked a faint light upon them.
“Oh! It’s you, Jack?” It was the Commander who spoke. He was off for a
cup of coffee.
“Ay, ay, sir.” Jack grinned.
“Got a violin?” The Commander halted. “Weren’t you playing back there on
the deck?”
“I’m afraid I was, sir,” Jack admitted. “Trying to play, I mean. You
see, sir, I haven’t touched a violin in months. It—well—it didn’t seem
to fit in with my program. You see, sir, I really worked at my fiddling
from the time I was eight. Then—well, you know.”
Public-domain text, read in full here on John Shaqi.
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