Conduct of life -- Fiction; Fantasy fiction; Parables
The door opened silently again before long.
“Come this way,” said the low, serious voice.
The doors swung to behind them. They entered upon a large square hall.
It was not brilliantly lighted, and the farther end was dim and scarcely
discernible. But every thing was rich and massive, and highly polished.
It reminded her in some indescribable way of the temple she had just
left. Carved oak chairs, just as those seen in the sacred building,
lined the walls, standing round in a perfect square, except where
interrupted by some other article of furniture. These chairs seemed to
be endless.
As Rosalie passed along she became accustomed to the dimness, and
noticed from this farther end a spiral staircase ascending to the upper
floor. It was built in polished oak, and went round and round in a way
that reminded her of the Serpent’s coils. It led to a gallery that
overlooked the hall on all sides.
Three double glass doors of the same peculiar lustre as the entrance
(which made the fourth) led out of this hall, one on each side, one
being beyond the staircase.
Her companion passed through that door to the left, and she followed
him. They came upon a corridor, and stopped before the last door on the
left-hand side. Her guide knocked, then opened it. There was no name to
give; Rosalie had no tongue to speak, no card to show. Then the door
closed again, and she found herself in the presence of the man whom she
had come to seek.
He was sitting by a table reading. A fire was burning in the hearth near
by. A high shaded lamp stood on the ground beside him. The floor was
thickly carpeted, the walls were lined with books from floor to ceiling,
one other door led from the room.
The Master looked up as she entered, then got up, pushing the book away.
“So you have come,” he said. He came forward and held out his hand.
Rosalie, trembling and uncertain, returned the hand-shake, nodding.
“What! you cannot speak yet?”
She shook her head, but as he was withdrawing his hand she clutched it
eagerly, unconscious of anything but this one little sinking straw of
hope.
This time he looked at her more closely. “What is it?” he asked.
She raised her other hand to her throat and mouth, then pointed to him,
her eyes full on his face.
“I’m not the Serpent,” he answered, and he shook his head and tried to
disengage his hand.
But Rosalie’s fingers tightened with a fierceness and determination
altogether foreign to her. Her cheeks flushed, her eyes flashed angrily;
she gave one little imperious stamp with her foot.
The Master looked at her and smiled—a smile that travelled from his eyes
to the corners of his mouth.
“I see. You do not intend to go till I have performed an—an
impossibility?”
Rosalie nodded in all seriousness.
“It is the gift of speech you’re wanting?”
She nodded.
“It’s very dangerous; leads people into all kinds of indiscretions.”
She shook her head vehemently.
“You think you differ from the commonality?”
Public-domain text, read in full here on John Shaqi.
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