Conduct of life -- Fiction; Fantasy fiction; Parables
Reluctantly she turned round once more, to behold a forest jungle, as
fine and beautiful a scene as one could wish. Its size and realism made
her put out her hand to pull a twig of feathery foliage, when suddenly
she was startled to see beneath it a pair of eyes, wild and yet
intelligent, gleaming out at her. It was an animal shaped and sized much
like a monkey. Behind it was another of the same kind, a partner in its
joys and sorrows evidently.
Rosalie sprang back.
“Look at that hideous thing!” she cried in horror, pointing to it. Then
recollecting herself, she said, with an effort at more self-control and
appreciation: “Are—are they extinct now?”
“I don’t know, I’m sure. What would _you_ say?”
“I sincerely hope so, I’m sure. Put it away. There is something uncanny
about that book. That creature startled me.”
“It’s an acquired taste. Here we come to another.”
He had turned onward to a third picture, in which was shown a woman
sitting on the roots of a tree, the expression of her face long and
uncompromising, full of discontent. She wore no clothing, but her long
and silky hair was sufficient covering. She was of no particular beauty,
and her expression of discontent, mingled with curiosity, subtly
introduced, and having little intelligence to enlighten it, gave the
girl a feeling of repugnance. In one hand she held a fruit of brilliant
scarlet; a mouthful was being eaten, and its taste did not seem
altogether to her liking.
“What do you think of this?”
“I like it very little better. The man who painted it, judging from her
face, understood human nature, and had very little mercy for it.”
“There you are mistaken. It is a caricature,” he answered softly,
“painted one day by a man, and sent to his dearest friend—a woman.”
“But she is eating a tomato.”
“Of course! Let us continue.”
The next picture showed this same woman standing beside a man who sat
upon a rock cracking nuts with his teeth. As Rosalie looked the scenes
began to move and become lifelike, pretty much in the same way as a
cinematograph. At first the man did not perceive his companion, but
turning suddenly, in the act of taking a broken shell from his mouth, he
saw her holding the scarlet fruit, from which she had taken no more than
two fair mouthfuls. On seeing this his jaw dropped, his eyes expanded.
Thin, far-away voices came from the picture, aiding the illusion.
“What for did you that?” said he, in a voice devoid of beauty and
expression.
“To find out,” she replied, in the same manner.
“But we die—we die—if we eat fruit of blood colour!” he cried, with
superstitious horror in his voice.
“We no die, we live and grow fat. I eat, I live; but I miss something.”
“What?”
“I know not. Eat, and tell me.” Her look was cunning.
“I dare not.”
“It is the best of all kinds—but for one thing.”
“And what is dat?”
“Eat, and tell me. You be my faithful love.”
Gingerly he took it in his hand, applied it reluctantly to his lips,
sucking the juice alone.
“It wants—”
Public-domain text, read in full here on John Shaqi.
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