Man-woman relationships -- Fiction; Political fiction
Sebastian determined to make himself interesting. The public has a
fawning respect for fame. One or two abortive attempts convinced Mr.
Early that his literary efforts would bring him not even the distinction
of infamy. At last he hit upon an idea. He would be a patron of the
Arts--not one of your little ordinary buyers, but a man whose purse was,
so to speak, regilded by mind. He spent six months of hard work as a
student of the situation and then he made his début. He selected a few
gems of half-forgotten eighteenth century literature--gems that deserved
to be given life-preservers on that stream of oblivion into which they
were too surely being sucked. These he brought forth in tiny volumes,
wide-edged and thick-papered, illuminated as to capitals and bound in
ooze or in old brocade on which were scattered a few decorations,
calculated, so unthinkable were they, to upset the reasoning power of
the average reader, and thus prepare him for the literary matter which
he should find within.
These books naturally "took." They invited no man to read, but they were
interesting to look at and therefore particularly adapted to those
occasions when one must make a small gift to a friend. Scarce a
center-table in the country but held at least one. The beauty of it was
that the literary matter cost him nothing, and the books were their own
advertising bill-boards; for wherever they went they lay in conspicuous
places.
From books Mr. Early passed on to furniture; and he begot strange
shapes, wherein forgotten Gothic forms were commingled with forms that
never man saw before; and these also took. So the circle widened, until
glass pottery and rugs were gathered into the potpourri of Mr. Early's
genius.
Finally he established his magazine, _The Aspirant_, for he began to
feel the need of explaining things--chiefly himself--to his expanding
circle. _The Aspirant_ had covers of butcher's paper; and the necessity
for self-defense at last developed in Mr. Early that literary style
which he had found it impossible to cultivate while he still had nothing
to say. He grew a peculiar ability for self-glorification and for
slugging the other man. Particularly caustic did his pen become in
respect to those, whether painters, musicians, poets, novelists or
reformers, who had endeared themselves to the great mass of the public.
_The Aspirant_ always called the public "the rabble," and you can't damn
humanity more easily and cheaply than by calling it "the rabble."
Naturally every one hastened to buy Mr. Early's furniture, his rugs and
his pottery, and diligently to read _The Aspirant_, in order that he or
she might escape the universal condemnation. Be _outré_ and you'll be
right; be right and you'll be _outré_; be _outré_ anyway: was the simple
creed.
Public-domain text, read in full here on John Shaqi.
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