Jewels and the woman: The romance, magic and art of feminine adornmentOstier, Marianne
History
Jewels and the woman: The romance, magic and art of feminine adornment
Ostier, Marianne
Jewelry
The common people, even more afflicted by the pains of life, also sought
these ringed remedies. The toadstone ring was deemed effective. Several
actual stones have since been called by this name—no one knows precisely
what it was—but the effective ones were generated by the toad, possibly
as nature’s compensation for the creature’s ugliness. The toadstone
was credited, as the Oxford Dictionary puts it, “with alexipharmic or
therapeutic virtues.” The best known allusion to the toadstone is in
Shakespeare’s _As You Like it_, when the banished Duke in the forest
reflects upon his state:
Sweet are the uses of adversity,
Which like the toad, ugly and venomous,
Wears yet a precious jewel in his head.
It must by no means be thought that the toadstone is merely a literary
fiction. Queen Elizabeth, on her Progress in 1558, was given a “toade
stone set in golde.” Sir Walter Scott, in 1812, called it “sovereign for
protecting new-born children and their mothers from the power of the
fairies.” Against fairies, perhaps the toadstone worked.
More questionable was the power of a ring against specific diseases,
although to the edge of this century country folk in rustic parts, as in
back-lying Suffolk, wore special rings that were blessed against cramps.
A more mechanical method of using rings in witchery or divination has
been to pitch or spin them, or to suspend them and let them swing, in
such a way as to have them indicate Yes or No; or, by falling upon
haphazardly arranged letters, spell out a message.
_Visibility Rings_
Legends of rings that make one invisible are universal. An unusually
potent one, we are told in a tale of medieval Europe, was given by the
Queen Mother to Otnit, King of Lombardy, when he set out to seek the hand
of the Soldan’s daughter. In addition to making him invisible at will,
the ring always foiled his detractors by indicating to the owner the
right road toward his destination.
A ring set with a carbuncle possessed the opposite property, of making
one visible in pitch dark. Thus, in Shakespeare’s _Titus Andronicus_ when
Martius looks into the deep pit and cries that Bassianus is lying there,
his comrades ask how he can see, and he replies:
Upon his bloody finger he doth wear
A precious ring that lightens all the hole,
Which like a taper in some monument
Doth shine upon the dead man’s earthy cheeks
And shows the rugged entrails of the pit.
_Religious Rings_
Public-domain text, read in full here on John Shaqi.
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