Fifty translations cannot spoil the true ring in such fervid words as
these. And in a world so sadly full of ‘fond desires,’ destined to
remain for ever unfulfilled, it is pleasant to know that Halevi
accomplished his. He unquestionably travelled to Palestine; whether his
steps were stayed short of Jerusalem we know not, but he undoubtedly
reached the shores, and breathed ‘the air of that land which makes men
wise,’ as in loving hyperbole a more primitive patriot[8] expresses it.
And seeing how that ‘the Lord God doth like a printer who setteth the
letters backward,’[9] there is small cause, perchance, for grieving in
that the breath our poet drew in the land of his dreams was the breath
not of life but of death.
THE STORY OF A STREET
To the ear and eye that can find sermons in stones, streets, one would
fancy, must be brimful of suggestive stories. There might be differences
of course. From a stone of the polished pebble variety, for instance,
one could only predict smooth platitudes, and the romance in a block of
regulation stucco would possibly turn out a trifle prosaic. But the
right stone and the right street will always have an eloquence of their
own for the right listener or lounger, and certain crumbling old
tenements which were carted away as rubbish some few years ago in
Frankfort must have been rarely gifted in this line. ‘Words of fire,’
and ‘written in blood,’ would, in truth, have no parabolic meaning, if
the stones of that ancient _Judengasse_ suddenly took to story-telling.
A long record of sorrow, and wrong, and squalid romance, would be
unfolded, and, inasmuch as the sorrows have been healed and the wrongs
have been righted, it may not be uninteresting to look for a moment at
the picturesque truths that lie hidden under that squalid romance,
which, like a mist, hung for centuries over the Jews’ quarter.
Public-domain text, read in full here on John Shaqi.
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