Jilted! Or, My Uncle's Scheme, Volume 1Russell, William Clark
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Jilted! Or, My Uncle's Scheme, Volume 1
Russell, William Clark
English fiction -- 19th century
But, as my father would often say, aprôpos of nothing, “Facts, my boy,
are stronger than prejudices;” and a very undeniable fact was that,
though billiards, and smoking, and boating, and spooning by moonlight
are highly agreeable pursuits, they could not in any fashion whatever
contribute to my existence when it pleased heaven to call my father
away. I wonder I never thought of this. However, when I was hard upon
three-and-twenty, a change came. This is the story of it.
One morning I saw a letter addressed to my father lying upon the
breakfast-table. It bore the English post-mark, and without taking
further thought of it I went to the window and amused myself with
staring out until my father should enter. Somehow, I have the
clearest recollection of that morning, and of a trivial incident
that made up the life of the street whilst I looked down upon it. It
was early morning--nine o’clock. The gay sunshine streamed brightly
upon the shop-windows and the white pavement, and threw a coquettish
intelligence upon the brown and comely features of a smart _femme de
chambre_, who had thrown up a window opposite to shake a duster, which,
I took it, she meant to continue shaking whilst I remained visible. In
the middle of the road were two soldiers, little red-trowsered men, so
neat and small, you would have said that they had just been unpacked
at the toyman’s at the corner. A priest passed, reading a book, with
his eyes in the corners of their sockets; the little soldiers whipped
up their hands, gave him a salute, and fell to talking again. _Ciel!_
how they gesticulated, shrugged, brandished their fists, smote their
breasts, and struck attitudes! In London a crowd would have surrounded
them in two minutes, and a hundred pocket-handkerchiefs would have
been lost for ever. Now what were they grimacing, grinning, grunting,
and growling over? Probably a description. Alphonse was telling Jules
how Auguste had beaten Amedée last night at dominoes; the stakes,
sugar-and-water all round, a matter of _cinquante centimes_. Amedée
was _abimé_. _Va pour un croquant!_ You saw his face this morning,
Jules? _Tenez!_ ’twas green as grass. This Amedée bears misfortune
like a Russian. (To-day it would be a Prussian). Bah! ... here a shrug
expressed the rest: in which the ears stood out along the shoulders,
in which the back became a hump, in which the tension of the corporeal
frame lifted the trousers up the calves, and exhibited everything but
socks--in which the whole person was transformed into a rounded twist
of silent eloquence, so convincing that I saw Monsieur Galette in the
pastry-cook’s shop, nod his head with a gesture of acute appreciation
of the significance of the martial convulsion. Thus universally
intelligible in France is the language of contortion.
Public-domain text, read in full here on John Shaqi.
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