Families -- Juvenile fiction; Ireland -- Juvenile fiction; World War, 1914-1918 -- Juvenile fiction
The ’bus gave a violent jerk, after the manner of ’buses in starting,
and moved on through the crowded street, threading its way in and out of
the traffic in the most amazing fashion—finding room to squeeze its
huge bulk through chinks that looked small for a donkey-cart to pass,
and showing an agility in dodging that would have done credit to a hare.
It rocked on its triumphal way westward: past the crouching stone lions
in Trafalgar Square, where the plinth of the Nelson Column blazed with
recruiting posters; past the “Orient” offices, with their big pictures
of Australian-going steamers—which made Norah sigh; and so up to
Piccadilly Circus, where they found themselves packed into a jam of
traffic so tight that it seemed that it could never disentangle. But
presently it melted away, and they went on round the stately curve of
Regent Street, with its glittering shops; and so home to the
hotel—where they had lived so long that it really seemed almost
home—and to their own sitting-room, gay with daffodils and primroses,
and littered with work. Norah’s knitting—khaki socks and mufflers—lay
here and there, and there was a pile of finished articles awaiting
dispatch to the Red Cross headquarters in the morning. Under the window,
a big, workmanlike deal table was littered with scraps of wood,
curiously fashioned, with tools in a neat rack. It was David Linton’s
workshop; all the time he could spare from helping with wounded soldiers
went to the fashioning of splints and crutches for the hospitals, where
so many were needed every day.
A yellow envelope was on the table now, lying across a splint.
“Duke of Clarence Hospital,” it said; “to-morrow afternoon.—JIM.”
[Illustration: “She put out a hand and clung to her father’s coat.”]
_Jim and Wally_] [_Page 31_
CHAPTER III
WHEN THE BOYS COME HOME
“Oh! the spring is here again, and all the ways are fair.
The wattle-blossom’s out again, and do you know it there?”
MARGERY RUTH BETTS.
‟THEY’RE doing quite well,” the doctor said, patting Norah benevolently
on the shoulder. He was a plump little man, always busy, always in a
hurry; but David Linton and his daughter had been regular visitors to
the hospital for some time, and he had a regard for them. (“Sensible
people,” he was wont to say, approvingly: “they don’t talk too much to
patients, and they don’t fuss!”) Now he knew that war had hit them
personally, and he gave them two of his few spare minutes. “They’re
tired, of course; and you must expect to see them looking queer. Gas
isn’t a beautifier. But they’ll be all right. Don’t stay too long. Don’t
talk war, if you can keep them off it. And above all, don’t speak about
gas.” He smiled at them both. “Buck them up, Miss Norah—buck them up!”
Some one called him hurriedly, and he fled. The khaki ambulances had
delivered a heavy load at the hospital that day.
Public-domain text, read in full here on John Shaqi.
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