I gave him my hand; he looked at it under the lantern; he traced one
or two of the lines with his blackened finger-nails, muttering some
words in a strange language, which somehow made my flesh creep. He
repeated the words: "Orel. Orel. Adartha Cay." Then he glanced at the
other hand, still muttering, and made a sort of mark with his fingers
on my forehead. Hugh told me afterwards that he seemed to trace a kind
of zigzag on my left temple. All the time he was muttering he seemed
to be half-conscious, almost in a trance, or as if he were mad: he
frightened us dreadfully. After he had made the mark upon my brow he
came to himself again.
"They will see it," he muttered. "It'll be bright enough. The
mark. It'll shine. They'll know when they see it. It is very good. A
very good sign: it burns in the dark. They'll know it over there in
the night." Then he went on mumbling to himself, but so brokenly that
we could catch only a few words here and there--"black and red,
knowledge and beauty; red and black, pleasure and strength. What do
the cards say?"
He opened his thick sea-coat, and took out a little packet of cards
from an oilskin case. He dealt them out, first of all, in a circle
containing two smaller circles; then in a curious sort of five-pointed
star; lastly, in a square with a circle cutting off the
corners. "Queer, queer," he said, grinning, as he swept the cards up
and returned them to his pocket. "You and I will know a power of queer
times together, Jim."
He brightened up after that, as though something had pleased him very
much. He looked very nice when he looked pleased, in spite of his eyes
and in spite of the gipsy darkness of his skin. "Here," he said,
"let's be company. D'ye know any knots, you two?"
No; neither of us knew any knots except the ordinary overhand and
granny knots.
"Well, I'll show you," he said. "It'll come in useful some day. Always
learn what you can, that's what I say, because it'll come in useful.
That's what the Irishman said. Always learn what you can. You never
know; that's the beauty of it."
He searched in his pockets till he found a small hank of spun-yarn,
from which he cut a piece about a yard long. "See here," he said.
"Now, I'll teach you. It's quite easy, if you only pay attention. Now,
how would you tie a knot if you was doing up a parcel?"
We both tried, and both made granny knots, with the ends sticking out
at right angles to the rest of the yarn.
"Wrong," he said. "Those are grannies. They would jam so that you'd
never untie 'em, besides being ugly. There's wrong ways even in doing
up a string. See here." He rapidly twisted the ends together into a
reef-knot. "There's strength and beauty together," he said. "Look how
neat it is, the ends tidy along the standing part, all so neat as
pie. Besides, it'd never jam. Watch how I do it, and then try it for
yourself."
Public-domain text, read in full here on John Shaqi.
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