The train which was bearing the Bears away from the city of the Panthers drew slowly out of the great station, plunged through a series of tunnel-like arches under the streets, and rattled out into the suburbs, gathering speed for the long night run. Inside the cars the players were settling themselves for an evening of recreation. Card games were starting, the chess players were resuming their six-month-long contest, and McCarthy sought his berth and sat alone, striving to read. In the berth just ahead of his seat the quartette commenced to sing. The Bears possessed a quartette with some musical merit and musical knowledge. Kennedy, the quiet, big catcher, had a good baritone voice and it showed training. Norton, who seldom spoke, but always was ready to sing, led, and Swanson was the bass, his voice deep and organ-like, making up in power and richness much that it lost in lack of training. Madden, the tenor, was weak and uncertain yet, as Swanson remarked, "He can't sing much, but he is a glutton for punishment." When the quartette started to sing, McCarthy dropped his book and sat gazing out into the gathering twilight, listening to the strong, healthy voices. Lights commenced to flash out from the farm houses and the haze settled in waving curtains over the ponds and the lowlands. He was lonely, homesick at thought of other voices and other scenes and the joyousness of his new comrades seemed to depress rather than to lift his spirits. Berths were being prepared for the night. Already in several the weary and the lame were reclining, reading. Others, worn by the strain of the day's game, were getting ready to draw their curtains. The trainer and his assistant were passing quietly from berth to berth, working upon aching arms and bruised muscles, striving to keep their valuable live stock in condition to continue the struggle. The quartette sang on and on, regardless of the lack of an audience, for no one in the car appeared to be listening. They sang tawdry "popular" songs for the most part, breaking into a ribald ragtime ditty, followed by a sickly sentimental ballad. Kennedy's voice, without warning, rose strong and clear almost before the final chord of the song over which the quartette had been in travail had died away. Kennedy had a habit, when he wearied of the songs they sang, of singing alone some song the others did not know; some quaint old ballad, or oftener a song of higher class. For a moment the others strove vainly to follow. Then silence fell over them as Kennedy's voice rose, clearer and stronger, as he sang the old words of Eileen Aroon. "Dear were her charms to me." His voice was pregnant with feeling. "Dearer her laughter--free." Kennedy was singing as if to himself, but as he sang a voice, strong and fresh, like a clear bell striking into the music of chimes, joined his and sang with him the words: "Dearer her constancy."