But what surprised the stranger more than its lop-sidedness was the
duplication of its front door, for there were two little doors, with
twin sills and latches. It had, in fact, been partitioned to allow a
couple of rooms to the shepherd-cowman, when that lone widower’s cottage
was needed for an extra horseman. Master Peartree’s new home became
known as Frog Cottage. The property was what was here called an
“off-hand farm,” the owner being “in parts,” or engaged in other
enterprises, and for more than a generation Caleb Flynt had lived there
as “looker” to old Farmer Gale, the cute Cornish invader who had
discovered the fatness of the oozy soil, and who had been glad to
install a son of it as a reconciling link between Little Bradmarsh and
“the furriner.” Caleb belonged to that almost extinct species of
managers who can dispense with reading and writing, and his
semi-absentee employer found his honesty as meticulous as his memory.
While the Flynt nestlings were growing up, the parent birds had found
the nest a tight fit, but with the gradual flight of the brood to every
quarter of the compass, the old pair had receded into its snugger
recesses—living mainly by the kitchen fire under the hanging hams. Thus
when last year Farmer Gale’s son, succeeding to the property and
foolishly desiring a more scientific and literate bailiff, delicately
intimated that having bought all the adjoining land, he had been
compelled to acquire therewith the rival looker, the old Flynts were
glad enough to be allowed for a small rent the life-use of the farmhouse
and the bits of waste land around it, subject to their providing living
room for old Master Peartree, who was to pasture his flock of sheep and
a few kine in the near meadows. Martha, indeed, always maintained that
Caleb had made a bad bargain with the new master—did not the whole
neighbourhood pronounce the young widower a skinflint?—but Caleb, who
had magisterially negotiated with the new bailiff the swapping of his
wood-ashes for straw for her pet pig, Maria, limited his discussions
with her to theology. “When one talks law and high business,” he
maintained, “we must goo back to the days afore Eve was dug out of
Adam.”
V
Bundock, restored to his superiority by the deprecatory expectancy of
the old couple, observed graciously that there was no need to apologize:
anybody was liable to have a letter. Indeed, he added generously, with
nine boys dotted about the world, Frog Farm might have been far more
troublesome.
“Eleven, Mr. Bundock,” corrected Martha with a quiver in her voice.
“I don’t reckon the dead and buried, Mrs. Flynt. They don’t write—not
even to the dead-letter office.” He cut short a chuckle, remembering
this was no laughing matter.
“And the other nine might as well be dead for all the letters you bring
me,” Martha retorted bitterly.
Public-domain text, read in full here on John Shaqi.
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