Behold, however, Jinny—despite her sex—embarked on a learned career,
and burning the midnight oil in her fat little lamp instead of curling
up in her chest of drawers. Puckering her brow she sat on a squat wooden
arm-chair in that dun papered living-room, imbibing virtue and
information, till the Dutch clock in the outer box-room startled her
with its emphatic declaration of the hour, and the cracked mirror
revealed eyes heavy-lidded. Far out over the Common streamed the
curtained light of that midnight oil, for the shutter could not be
closed, owing to a pair of blackbirds that had set up house in the
eaves. Jinny had found one of the young fallen on the grass: she had fed
it with morsels of meat which it swallowed with great yellow gulps,
following up the meal with a fluted grace. She had restored it to its
nest—touched to mark the domestic virtue of its co-incubating parents.
It had grown quite big now and flown hoppingly away with short sharp
cries, but Jinny still cherished the nest and felt no need of the
barring shutter. In the silence the creakings of the cottage often
sounded like footsteps outside, but Jinny was not nervous, and a real
footstep would rouse Nip, she knew. Sometimes, these warm May nights,
she heard the cuckoo keeping hours as late as hers, sometimes the
nightingales would sing passionately in the lane. There was one, she
knew, that niched in a mutilated, ivy-swathed trunk bordering on the
Common, and she would hear it answering the faint melancholy calls from
afar with throbs and gushes of melody as well as with a series of quick,
piercing notes. And sometimes when the air was clear she could hear the
distant church clocks. But all these sounds, like Nip’s and the Gaffer’s
snoring, were but a restful accompaniment to the acquisition of
omniscience: even the nightingale, in her ignorance of literature,
failed to romanticize her thoughts, painfully bent on mastering all
there was to know.
Public-domain text, read in full here on John Shaqi.
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