“Wasn’t it his bedtime? But I _will_ say it’s not entirely the fault of
your acting. I’ve noticed ever since that Crystal Palace loomed on the
horizon, it’s unsettled the public within at least fifty miles from Hyde
Park. I was talking to a showman who told me that in March and April
this year business fell off everywhere—there was no interest in giants,
dwarfs, fat men, pig-faced ladies, and even jugglers, animal
magnetizers, lion-tamers, performing elephants, ventriloquists,
prestidigitators, and professors of necromancy. Didn’t you hear of the
fate of poor Wishbone, the conjurer, at Chelmsford Fair? Not even a kid
dropped into his booth, so he went out to perform outside, but before he
could ‘hey, presto!’ the purse back to the owner, the peeler copped him.
The magistrate wouldn’t listen to his patter, and he can’t tap himself
out of quod either, poor chap. Besides, we all remember the awful
weather in March, yes and up to the very opening of the Crystal
Palace—rain, rain, rain.”
“Well, take the March of 1849,” said Duke, turning back his oblong
pages, “and don’t forget people’ll sit in Assembly Rooms or a Corn
Exchange when they won’t risk a draughty tent. Now look at the weather
that year—when I pulled my own strings. Tuesday, W.S.—that is, wet,
snow. Wednesday, R.N. (rough night). Thursday, S.H.T. (storm, hail, and
thunder). Saturday, W.T. (wind, tilt OFF!). Come now, you could hardly
have a worse week, could you? Everything except B.F.1 or B.F.2 (black
fog or big funeral). Yet see, my takings for that week were——”
Tony flipped away the book with his jewelled hand. “What you’ve got to
compare with your Colchester week,” he said, “is not your marionette
week in March ’49, but my Fit-Up week for that date.”
“I don’t see that.”
“It stands to reason.”
They debated the point warmly: finally Tony referred it to Jinny: that
was what she was there for, he recalled.
“I certainly think,” arbitrated the little Carrier, “that we ought to
see what Mr. Flippance’s live theatre could do in the same weather.”
“Oh, very well,” acquiesced Duke sulkily. “And what _did_ you do that
week?”
“Heavens, man, how on earth can I remember?”
“But haven’t you got it written down?”
“What do you take me for?” asked Tony. “A tradesman? A bookkeeper?
Unless Polly——”
“You told me the other Christmas that you averaged twenty-five,” said
Duke bitterly, “and I paid you one week’s takings by way of douceur.”
“Well, then you do know my weekly takings,” said Tony loftily.
“I can’t stay here for ever,” put in Jinny. “I’ve got my work.”
“I’m paying you, ain’t I?” Tony rebuked her.
“But not giving me work.” She assumed a judicial air. “Do you, Mr.
Flippance, maintain that your theatre is a more valuable concern than
Mr. Duke’s marionettes?”
“Of course I do.”
“Then,” said the young Solomon in petticoats, “surely if you get it
back, you ought to pay him the difference in value.”
“Bravo! Bravo!” Mr. Duke’s little pig-eyes gleamed. “A sensible girl!”
Public-domain text, read in full here on John Shaqi.
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