Even when the hare did not cross her path, her horn, imitating the
professional toot, would allure and misguide the distant dogs. Nip’s own
relatives, the foxhounds, more rarely came his way, but though his
mistress’s sympathies with the quarry were less marked—her chickens
being precious—Nip was still held in. But amid all his disgust the
cunning dog remembered that his days of foraging for himself—before he
had picked up Jinny—had not been rosy and replete: caterers like Jinny,
he realized, did not grow on every cart, not to mention the cushioned
basket from which he could bark at everything on the road, or within
which, with a huge grunt of satisfaction, he could curl into an odorous
dream.
A contrast in all save colour was the stolid Methusalem, though he too
was of hybrid stock. While his hairy fetlocks proclaimed a kinship with
the draught-breed of the shire, he lacked that gross spirit, and while
his flying mane and tail flaunted an affinity with the fiery Arab, he
was equally deficient in that high mettle. By what romantic episode he
had come into being, whether through the wild oats of an Arabian
ancestor, or the indiscretion of a mere circus-horse, or whether his
tossing hair and tail were the heritage from a Shetland pony—as his
moderate stature suggested—is not recorded in any stud-book. But it was
impossible to see him without the word “steed” coming into the mind, and
equally impossible to sit behind him without thinking of a plough-horse.
“When Oi first see that rollin’ in the brook afore ’twas broke in,”
Gaffer Quarles would relate, “Oi was minded of the posters of Mazeppa at
the Fair, and christened that accordin’.” It was only when he discovered
that this blonde beast was a whited sepulchre, that “Mazeppa” was
exchanged for “Methusalem,” as though that antediluvian worthy had
always been a doddering millenarian, and not at one time in the prime of
his hundreds. The name had at least the effect of banishing expectation;
his mere amble was an agreeable surprise. As a matter of fact Methusalem
had still his Mazeppa moments. They came on Tuesday and Friday evenings
when he was loosed from the shafts; at which moments he would roll on
his back, kick up his heels and gallop madly round the goat-pasture to
the alarm of the tethered browsers. And even at his professional pace he
always kept his mane flying. One accomplishment, however, Methusalem had
which no “Mazeppa” steed could have bettered, nay, which made a circus
pedigree plausible. He could lift the latch of gates with his nose and
walk through. It was a trick which Jinny, with her habit of not
alighting, had fostered in him: if the gate did not swing to, she could
usually close it with the butt-end of her whip—through the cart-rear at
the worst—a procedure which, with her further habit of using short cuts
and even private tracks like that at Bellropes Park, saved not a little
time, and was some compensation for Methusalem’s general crawl.
Public-domain text, read in full here on John Shaqi.
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