And the idea of calling this “warrum”! He smiled to think of the hells
he had known—Montreal with mosquitoes, New York in a damp heat. Why,
this couldn’t even melt a man’s collar. And how refreshing was the
trimness of the Essex countryside—the comfortable air of immemorial
cultivation—after the giant untidiness of the New World. How soothing
these long, green, white-sprinkled hedgerows with their ancient elms,
this old, historic highway with thatch and tile, steeple and tower,
after the corduroy roads of round logs or the muddy, dusty, sandy
tracks. How adorable these creeper-covered cottages after log-cabins in
backwoods; rotting floors on rotten sleepers and the mud paste fallen
out of the walls. He forgot that it was precisely this that he had fled
from nearly a decade ago—this dead, walled-in life, so petty and
pietistic—and he congratulated himself afresh on the wisdom of that
abrupt resolution to sell his clearing to a second-hand pioneer and to
farm at home with the profits.
His clothes alone would have kept him in good humour. Not only were the
heavier in what he had learned to call his trunk, but those on his back
were the first he had ever had made to measure. And they were made
too—like the neckcloth and shawl and fal-lals he was bringing to his
parents “from America”—by the world-famous firm of “Moses & Son”
(opposite Aldgate Church), whose imposingness was enhanced in his eyes
by finding it—on the Saturday he first hied thither—haughtily aloof: a
blank wilderness of shutters in a roaring world, with no gleam through
their chinks from the seven hundred gas-burners. But he had finally
stormed the “Private Hall,” toiling—as invited by rhyme—up “the stairs
of solid oak,” and had gained the heights “where orders were bespoke,”
and there—in that rich-carpeted “showroom with the giant chandelier,”
in a setting of Corinthian columns, sculptured panels, and arabesque
ceilings—dark enchanters with tape-measures like serpents over their
shoulders had made obeisance to him and enfolded him with their coils.
Even his billycock hat verified the bardic boast:
_There’s not another Hat-mart in the town_
_Which casts such lustre on the human crown._
Public-domain text, read in full here on John Shaqi.
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