Boarding schools -- Fiction; Family life -- New England -- Fiction; New England -- Fiction; Schools -- Fiction
Keeping his gravity with an effort, Teddy pointed to a very bad portrait
of Mrs Jo, which hung behind the door, and afforded her much amusement,
it was so dismal, in spite of a curious effect of light upon the end of
the nose and cheeks as red as the chair she sat in.
'This was taken for my mother; but it is not very good,' he said,
enjoying the struggles of the girls not to look dismayed at the sad
difference between the real and the ideal. The youngest, aged twelve,
could not conceal her disappointment, and turned away, feeling as so
many of us have felt when we discover that our idols are very ordinary
men and women.
'I thought she'd be about sixteen and have her hair braided in two
tails down her back. I don't care about seeing her now,' said the honest
child, walking off to the hall door, leaving her mother to apologize,
and her sisters to declare that the bad portrait was 'perfectly lovely,
so speaking and poetic, you know, 'specially about the brow'.
'Come girls, we must be goin', if we want to get through today. You
can leave your albums and have them sent when Mrs Bhaer has written a
sentiment in 'em. We are a thousand times obliged. Give our best love
to your ma, and tell her we are so sorry not to see her.' Just as
Mrs. Erastus Kingsbury Parmalee uttered the words her eye fell upon a
middle-aged woman in a large checked apron, with a handkerchief tied
over her head, busily dusting an end room which looked like a study.
'One peep at her sanctum since she is out,' cried the enthusiastic lady,
and swept across the hall with her flock before Teddy could warn his
mother, whose retreat had been cut off by the artist in front, the
reporter at the back of the house--for he hadn't gone and the ladies in
the hall.
'They've got her!' thought Teddy, in comical dismay. 'No use for her to
play housemaid since they've seen the portrait.'
Mrs Jo did her best, and being a good actress, would have escaped if the
fatal picture had not betrayed her. Mrs Parmalee paused at the desk, and
regardless of the meerschaum that lay there, the man's slippers close
by, and a pile of letters directed to 'Prof. F. Bhaer', she clasped her
hands, exclaiming impressively: 'Girls, this is the spot where she wrote
those sweet, those moral tales which have thrilled us to the soul! Could
I--ah, could I take one morsel of paper, an old pen, a postage stamp
even, as a memento of this gifted woman?'
'Yes'm, help yourselves,' replied the maid, moving away with a glance at
the boy, whose eyes were now full of merriment he could not suppress.
The oldest girl saw it, guessed the truth, and a quick look at the
woman in the apron confirmed her suspicion. Touching her mother, she
whispered: 'Ma, it's Mrs Bhaer herself. I know it is.'
'No? yes? it is! Well, I do declare, how nice that is!' And hastily
pursuing the unhappy woman, who was making for the door, Mrs Parmalee
cried eagerly:
'Don't mind us! I know you're busy, but just let me take your hand and
then we'll go.'
Public-domain text, read in full here on John Shaqi.
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